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Recorded in Helsinki, Paris and New York, Hey Clockface is the latest Elvis Costello & Sebastian Krys Production, following their collaboration on Elvis Costello and The Imposters’ GRAMMY-winning album Look Now. Hey Clockface also features contributions from Bill Frisell, Nels Cline and Steve Nieve. “I wanted the record to be vivid, whether the songs demanded playing that was loud and jagged or intimate and beautiful,” Costello said.

What started out in LA and was finished back in North Carolina at Esso’s home studio, Free Love asks major questions about self-image, self-righteousness, friendship, romance, and environmental calamity with enough warmth, playfulness, and magnetism to make you consider an alternate reality. These are Sylvan Esso’s most nuanced and undeniable songs—bold enough to say how they feel, big enough to make you join in that feeling.

In 2018, Margo Price claimed her rock star status at the Mother Church of Country Music. She was headlining the Ryman Auditorium for the first time ever, in a sold-out run of three nights that she had admittedly spent more time planning than her wedding. Now, Margo revisits the career-changing residency with the release of a new live album, Perfectly Imperfect at The Ryman. With special guest appearances from Jack White, Emmylou Harris and Sturgill Simpson!

And It’s Still Alright is an intensely personal 10-song album of vibrant country-blues, badland ballads, ornate Americana and jazz-inflected R&B. Rateliff's warm baritone, ranging from gently hushed to a guttural howl, imbues these superbly drawn character studies with raw, naked emotion. It's a commanding next step in Nathaniel's evolution into one of America's most vital and essential songwriters.

As chaos envelopes the world, Manson penned the perfect prescription. The aptly titled We Are Chaos was written/produced by Manson & Shooter Jennings. Rock & roll icon and painter, Manson continues to infiltrate fashion, film, and music, leaving his fingerprints on modern culture.

The Third Gleam marks a return to the Avett Brothers’ roots, both sonically and with Seth & Scott playing as a trio with longtime bassist Bob Crawford. The eight tracks capture their personal experiences and perspectives on undeniably timely, universal themes: isolation, gun violence, incarceration, historical prejudice, mortality, resilience, love, hope, redemption.

Metz not only continues to push their music into new territories of dynamics, crooked melodies, and sweat-drenched rhythms, they explore the theme of growing up and maturing within a format typically suspended in youth. Covering seemingly disparate themes such as paternity, crushing social anxiety, addiction, isolation, media-induced paranoia, and the restless urge to leave everything behind, each of Atlas Vending’s ten songs offer a snapshot of today's modern condition.

Clipping reimagine horrorcore the way Jordan Peele does horror cinema: by twisting beloved tropes to make explicit their own radical politics of monstrosity, fear, and the uncanny. Visions of Bodies Being Burned contains sixteen scary stories disguised as rap songs, incorporating as much influence from Ernest Dickerson, Clive Barker, and Shirley Jackson as it does from Three 6 Mafia, Bone Thugs-N-Harmony, and Brotha Lynch Hung.

Sugaregg roars from the speakers and jumpstarts both heart and mind. Like My Bloody Valentine after three double espressos, opener “Add It On” zooms heavenward within seconds, epitomizing the band’s newfound clarity of purpose, while the bass-driven melodies and propulsive beats of “Where to Start” and “Let You” are the musical equivalents of the sun piercing through a perpetually cloudy sky.

Brighter, more robust sounds made their way into the songs of Purple Noon and mark a new chapter for Ernest Greene as a producer and songwriter. The vocals are front and center, tempos are slower, beats bolder, and there’s a more comprehensive depth of dynamics. One can hear the luxuriousness of Sade, the sonic bombast of Phil Collins, and the lush atmosphere of the great Balearic beat classics.

After years spent looking out at landscapes and loved ones and an increasingly unstable world, Rolling Blackouts Coastal Fever have turned their gaze inward, to their individual pasts and the places that inform them, on their second full-length, Sideways to New Italy.

Stevens’ eight studio LP is the long awaited follow-up to Carrie and Lowell. In the time between, Stevens also released Oscar-nominated music for the Luca Guadagnino film Call Me By Your Name; a collaborative album entitled Planetarium with Nico Muhly, Bryce Dessner (The National) and James Mcalister; and scored several works for ballet: Reflections (Houston Ballet) and Principia (NYCB).

Amidst the current overwhelming uncertainty and upheaval of global and personal worlds, this reunion acts as both an escape from, and a confrontation of, trying times. Getting the band back together felt right, and necessary, and the friendship at the core of the band has been a longtime pillar of Bright Eyes’ output. For Bright Eyes, this long-awaited re-emergence feels like coming home.

Three-time Grammy Award winner Lucinda Williams unabashedly takes on some of the human, social and political issues of our day with her boldest and most direct album to date. During the course of her celebrated four-decade, pioneering career Williams has never rested on her laurels as she continues to push herself as a songwriter. On Good Souls Better Angels, she has much she needs to get out.

A total reinvention of an iconic instrument, all of the sounds heard on this album were made with a 1967 Emmons Push / Pull pedal steel guitar. This is the sound of Valhalla, of heaven, planetary alignment, of total eclipse. This is the sound of an angelic army roaring into battle. This is the heavy metal thunder of the future we were promised.

Los Angeles-based musician collective with a rotating cast featuring Mary Lattimore and William Tyler, playing instrumental, psychedelic folk music. Pedal Steel and Nylon String guitar intertwine to create ethereal crystalline drones and twinkling hypnotic moods. Simple music.

First released in 1995, Jewel's breakthrough debut Pieces of You dominated the charts with "Who Will Save Your Soul," "You Were Meant For Me" and "Foolish Games," making it one of the best-selling debut albums of all time. Across four compact discs, this special 25th anniversary reissue comprises the newly remastered album, B-sides, rarities, demos and outtakes, as well as live material.

Power Up is the long awaited new album from AC/DC, and the band’s 17th studio album. For Power Up, the band reunited with producer Brendan O’Brien who helmed the double-platinum Black Ice in 2008 and the gold Rock Or Bust in 2014. Charged up for the next decade, AC/DC cut twelve new tracks for the album, proudly maintaining their signature sound and all of its powerful hallmarks.

As an all-time icon and Grammy-winning giant of jazz, we have grown used to seeing George Benson on the stages that befit his sky-high status. So it’s a rare treat – and a whole different thrill – to find this megastar going nose-to-nose with the breathless 250-capacity crowd at Ronnie Scott's Jazz Club, one of London’s most prestigious and famous venues.

New Zealand's platinum sensation BENEE will release her highly anticipated debut album, Hey u x, on November 13. The genre-bending project features collaborations from Lily Allen, Grimes, Flo Milli, Mallrat, Kenny Beats & more. Includes Platinum-Certified smash "Supalonely" w/ Gus Dapperton and new bop "Night Garden" w/ Kenny Beats and Bakar.

Craft Recordings honors the music of The Gospel Truth Records, a subsidiary of Stax Records, with the first-ever complete collection of all 17 singles-and their respective B-sides-issued by the imprint between 1972 and 1974. This set features in-depth liner notes by Memphis-based journalist Jared Boyd, who captured new interviews with Stax executive Al Bell, trailblazing gospel artist Rance Allen, and Mary Peak Patterson, who helped establish the label.

Having been a formidable presence in progressive metal for more than 35 years, Fates Warning return in 2020 with Long Day Good Night. Says vocalist Ray Alder, "There are some songs with electronics and some with a nice ethereal feel, as well as some pretty straightforward grooves, at least for us.” As such, the album is something of a rollercoaster ride, moving through various moods and making for their most vital release to date.

Rapper/director/innovative artist, Amine, moves culture forward for Portland's music scene. His new full-length studio album, Limbo, will be available on CD October 30th via Republic Records. Keeping his promise to change perceptions and defy expectations, the project pays homage to his past on tracks like "Shimmy", and features a selection of high-profile guest artists, including Young Thug on "Compensating".

The beloved country vocal group bring you 12 tracks, blending holiday classics with new songs and collaborations. Among the highlights is a collaboration with Country Music Hall of Famers Alabama on their hit "Christmas in Dixie." “Alabama is my all-time favorite country group,” Home Free tenor Austin Brown says. “So, needless to say, this is definitely a major highlight, if not the pinnacle of my career so far."

“In the middle of a pandemic, as the truth of our environmental devastation sinks in, it feels silly to write about relationships,” Woods explains. “I was thinking about that when the title ‘Without People’ came to me… and how beautiful the world could be without us, and how we’re perhaps the first generation to consider that notion as a real possibility.”

Disco, Kylie’s fifteenth studio album, is a triumphant return to the dance floor. Think Studio 54, pure pop, dance elation. The first single, "Say Something" falls in line with the overall sleek, modern disco-tinged record – produced by long-time collaborator Biff Stannard.

For Love Goes, Sam has enlisted a roll call of revered collaborators from Steve Mac (Ed Sheeran, Celine Dion), Shellback/MXM (Robyn, Pink, Britney Spears), Labrinth (Love Goes title track), masterminds Stargate as well as good friend Guy Lawrence (Disclosure) and long-term collaborator Jimmy Napes to curate a collection of songs written over the last two years, all displaying individuality with every-one telling a different story.

Platinum-selling rapper, singer, and songwriter Trippie Redd has landed four consecutive Top 10 albums in just three years' time. With penetrating lyrics and a nuanced but hard-hitting vocal performance, the 21-year-old defies genre boundaries, embedding his melodic take on rap with rock-and-roll and heavy metal elements to create a wildly experimental yet massively appealing sound.

As the world plummeted into the COVID-19 pandemic, Black Stone Cherry was nestled deep in the woods, scrambling to complete their 7th album. Featuring their new standards for Southern rock - a revitalized tradition with burly riffs and stirring rock hooks - the aptly named The Human Condition was finished just before the global lockdown was imposed.

The first release from Mr. Bungle since 1999, The Bunny Demo is a re-recording of the band's 1986 high school thrash metal demo along with songs written then, but never recorded. Featuring covers of classics by S.O.D. and Corrosion Of Conformity. This version of Mr. Bungle is original members Mike Patton, Trey Spruance and Trevor Dunn, joined by Scott Ian of Anthrax and Dave Lombardo of Slayer/Dead Cross.

Magic takes in all elements of OPN's output of the last 13 years, from the deconstructed New Age plunderphonics of Replica and R Plus Seven, to the alt rock and chamber pop songwriting of Garden Of Delete and Age Of, and the symphonic, cinematic nature of the scores for Uncut Gems and Good Time; making self-titling the record both a reference to his roots while entrenched in the present.

Since 2008’s debut album Krülle Bol, This Is The Kit (lead by Kate Stables) have unpicked emotional knots and woven remarkable stories, but even by their high standards, Off Off On is a beautifully clear distillation of Stables’ song-writing gifts. In difficult times, it’s a record that feels like a lifeline, moving against the tide, standing against the storm. Keep going.

Big Thief's Adrianne Lenker releases songs and instrumentals as two distinct collections, both written and recorded in April after Big Thief’s tour was abruptly cut short due to coronavirus. After returning home, Lenker decamped to a one room cabin in the mountains of western Massachusetts and set out to record using exactly zero digital processing. This album is 100% analog-analog-analog (AAA).

iDKHOW is a new project led by Dallon Weekes (Panic! At The Disco). They initially had a curated storyline, believed to have been a decades-old band that never got a big break until 2017, when an anonymous donor released recovered video footage that hints otherwise, leading fans, music historians and conspiracy theorists to debate.

On White Bronco Bronson rapped “my next album’s only for dolphins,” and the principled MC is nothing if not true to his word. A Queens legend, respected for his idiosyncratic pen and vivid raps, Bronson is a decade into his career and still deepening his skillset. With Only For Dolphins, he wants to take the listener on a tour of his creativity. Welcome to his world.

Royal Tea was inspired by his British heroes - Jeff Beck, John Mayall & The Bluesbreakers, Eric Clapton, Led Zeppelin and Cream and recorded at the legendary Abbey Road Studios. These 10 original tracks were co-written by Joe with Bernie Marsden (Whitesnake), Pete Brown (Cream) & Jools Holland.

After a series of stand-alone singles and a release under the moniker EL VY (with Brent Knopf of Menomena), Serpentine Prison is the first solo record from Grammy-Award winning artist Matt Berninger of The National. Recorded with and produced by the legendary Booker T. Jones, it's a collection of deeply personal songs dripped in Booker's signature Memphis sound perfectly blended with Berninger's unmistakable baritone.

A commissioned jazz suite to commemorate the 60th anniversary of a turning points in the civil rights movement, No Tears Suite brings together local composers Christopher Parker & vocalist Kelley Hurt with an incredible band featuring Grammy-award winning drummer, Brian Blade and Ellington band veteran saxophonist Bobby LaVell.

Impossible Weight is a work of sublime highs and mesmerizing lows, its restless intensity both unsettling and transcendent. Co-produced by bandleader Jessica Dobson and Andy D. Park, the album's lush textures and mercurial arrangements reveal the limitless imagination of Dobson’s guitar work (which she’s previously shown in playing lead guitar for Beck and The Shins) and fully illuminates the power of her vocals.

As Long As You Are is an album about trust, honesty, redemption and “letting go”, allowing old wounds to heal and bringing painful chapters to a close. But being delivered via their brand of new wave synth-pop full of bright melodies and heavenly choruses, it’s as euphoric and uninhibitedly joyful as anything the band has done in their 14-year career.

Metz not only continues to push their music into new territories of dynamics, crooked melodies, and sweat-drenched rhythms, they explore the theme of growing up and maturing within a format typically suspended in youth. Covering seemingly disparate themes such as paternity, crushing social anxiety, addiction, isolation, media-induced paranoia, and the restless urge to leave everything behind, each of Atlas Vending’s ten songs offer a snapshot of today's modern condition.

The fifth album from Bahamas (Afie Jurvanen), Sad Hunk, takes its title from a nickname bestowed by his wife in reaction to how he was portrayed in the media. A collaboration from the same team as 2018’s Earthtones, the graceful guitar work of Sam Weber - a musician he discovered on YouTube - and with GRAMMY-nominated producer Robbie Lackritz, Sad Hunk is the next step in Afie’ virtuosic signature style.

Good Intentions, the celebrated third record from Toronto-native Nav, has features from rap heavy weights like Young Thug, Future, Lil Uzi Vert, Gunna, Lil Durk, Don Toliver and Pop Smoke. He set the tone early with the success of his song `Turks' feat. Travis Scott and Gunna.

The claustrophobia of the here and now - a desire to return to past states on one hand and change on the other. In some cases, repetition and return are a desirable way to deal with uncertain times; in others, the stagnancy of the present is overwhelming. Fish Pond Fish lives between the two, creating simultaneously the most bedroom-tracked (thanks quarantine) and production-heavy full-length the band has yet released.

Produced by Randall Poster and Stewart Lerman, I'd Rather Lead a Band finds Loudon Wainwright III partnering up with Vince Giordano and the Nighthawks for their take on some of the American songbook's finest classics. This album showcases a fresh side of LW3 with big band sounds and timeless songs from Irving Berlin, Cliff Friend, Lew Brown and other Tin Pan Alley contemporaries.

Creation Myths is the first album in 5 years from Elvis Perkins. Produced by Sam Cohen (Kevin Morby, Danger Mouse, etc), the album in many ways picks up where his debut Ash Wednesday (XL Recordings) left off. Subtle nods to Americana and spooky, blissed-out folk, but never lights for too long on any one spot.

The quintessential dark groove metal innovators return to deliver fans their most electrifying and introspective collection of anthems yet – Dealing With Demons I – part one of a hard-hitting double album that will have metalheads everywhere ushering in a new era! DevilDriver proves that they still reign supreme among metal’s all-time greats, leaving the listener craving what’s to come on Dealing With Demons II.

Black Pumas have unveiled a deluxe edition of their Grammy-nominated self-titled debut album via ATO Records. Features original album plus 11 bonus tracks, three new original songs and four cover tracks, plus unreleased live material. The package is updated with new artwork, and contains unpublished in-studio and live photographs.

SKALD is inspired by the Doggerland, an island that disappeared 20,000 years ago following various natural disasters (tsunami, long winter...). The Vikings tell here the history of the people who preceded them and question the role of Man for saving the planet. This is an invitation to listen to messages from the past to build the future.

Long In The Tooth delivers a truly epic collection of new material that finds the group further bridging the gap between the farfisa-fueled Ethio-Funk stylings of their early recordings, with the psychedelic, Sabbath-inspired hellfire of late. Heavy drum breaks reign supreme, setting the stage for the pulsating, hallucinatory wall of organ, menacing horns, and rugged guitar riffs to permeate your soul.

Brooklyn indie-rock stalwart Drew Citron formed Beverly in 2013, after having got her start as a touring member with Frankie Rose and The Pains of Being Pure of Heart. With Free Now, Citron, one of the most beautiful voices in indie rock, comes to the table with a whole lot of pain to sing about and the full musical knowledge to put herself, and her talents, front and center.

Stevens’ eight studio LP, The Ascension is the long awaited follow-up to Carrie and Lowell. In the time between, Stevens also released Oscar-nominated music for the Luca Guadagnino film Call Me By Your Name; a collaborative album entitled Planetarium with Nico Muhly, Bryce Dessner (The National) and James Mcalister; and scored several works for ballet: Reflections (Houston Ballet) and Principia (NYCB).

A culmination of their entire catalogue and decade-long career all wrapped up in nine glorious tracks, Good Luck With Whatever reclaims the rugged urgency and easy confidence of Dawes’ early work while tapping into the veteran band’s intense musical connection more effectively than ever before. Produced by Dave Cobb (Chris Stapleton, Brandi Carlile, Jason Isbell and the 400 Unit).

The set presents a compilation of concert highlights captured the world over personally selected by Taylor, May and Lambert from over 200 shows they have performed with several featured here becoming available for the very first time. All formats include the band’s entire 22-minute Fire Fight Australia appearance in which they performed Queen’s original history-making 1985 Live Aid set in full.

This much anticipated sophomore album from the six-piece rock outfit is the good time album of 2020 that has energy, passion and instant pop nuggets. It takes bits of early 70's Rolling Stones, The Modern Lovers, The Velvet Underground and classic Southern rock, and makes something you can't help but put on repeat.

2020, the 15th studio album from the Rock and Roll Hall of Fame band, follows their 2016 No. 1 release, This House is Not For Sale. Jon describes the album as, “not a distinctly political record, but it’s an election year so there is a wryness in the title 2020. This record had to encompass different themes, not just politics, but the state of our world today, life, love and loss.”

Cobb captures the mindset of a man who values a simpler time despite living in a modern world. “To me, listening to this album feels like I’m sitting there with somebody, having a conversation,” Cobb says. “I would hope that it feels like sitting with an old friend you haven’t seen in a while… like those old records by Jerry Lee Lewis, Roger Miller, or Willie Nelson.”

Roger Waters‘ Us + Them concert film, which chronicles his 2017-2018 world tour, is released on CD, vinyl, Blu-ray and DVD. Waters played 156 shows to 2.3m people with a setlist that included Pink Floyd classics from The Dark Side of the Moon, The Wall, Animals, Wish You Were Here and tracks from 2017’s Is This The Life We Really Want?

Grammy Award-winning singer / songwriter (Slipknot / Stone Sour), actor, and New York Times Best-Selling Author, Corey Taylor releases his widely anticipated debut solo album, CMFT, illuminating the broad spectrum of this fiery and fearless rock ‘n’ roll master. Taylor touches on lifelong influences ranging from hard rock to classic rock, punk rock to hip-hop.

While touring in support of their Grammy-winning album Mettavolution, Rodrigo Y Gabriela performed the album in full every night at their nearly one hundred shows around the world. Mettavolution Live captures the perfect balance of melody and metal, fire and finesse, which they have honed over the twenty-plus years of playing together (including a 20-minute-plus live version of Pink Floyd’s epic "Echoes").

Exhilaratingly fresh whilst incorporating nostalgic 90s nu-metal vibes – vocalist Justin Bonitz is a man possessed, wildly careering from blood curdling shrieks to lighting quick rap bars. Throw in electronic elements and all mighty riffs plus modern hardcore breakdowns and Tallah are 2020’s answer to Slipknot. For fans of Korn, Code Orange, Slipknot, Deftones and Vein.

The First Lady of Song returns to Berlin, home of her legendary concerts. Recorded in 1962 but never released, hear the most popular jazz singer of all time deliver an iconic performance at Sportpalast Berlin for the first time. This recording finds Ella and her band at the top of their game recorded in high fidelity stereo.

Started as a Beatles cover band to play his birthday, Jamie Davis nabbed frontmen Miles Kane (The Last Shadow Puppets) and Nic Cester (Jet), guitarists Graham Coxon (Blur), Matt Bellamy (Muse) on bass and drummer Sean Payne (The Zutons). Post-birthday, Bellamy and Davis started working on an album, focusing on lost Northern Soul classics, supplemented by their raw, soulful takes on some famous standards.

Much like Lean's overall catalogue, the new album feels almost impossibly cohesive. In part, that's thanks to production entirely from longtime collaborator whitearmor - they kept the sessions intimate and secluded, recording partly in an old ballet hall in the Swedish countryside. But this is an album only Lean could make, as a young veteran, with a sound and career that's well-entrenched globally but still on its own planet.

What started out in LA and was finished back in North Carolina at Esso’s home studio, Free Love asks major questions about self-image, self-righteousness, friendship, romance, and environmental calamity with enough warmth, playfulness, and magnetism to make you consider an alternate reality. These are Sylvan Esso’s most nuanced and undeniable songs—bold enough to say how they feel, big enough to make you join in that feeling.

Small World reflects that odd sense of distance one develops from being in a place that's so close yet so far, so undeniably locked in the gravitational pull of the center of the universe, only with a language and lore all its own. These songs remind us to trust our gut and that love is worth exploring, all with an inescapable rhythm. In these trying times, everybody should say thank you for reminding us to dance our little asses off.

15 tracks highlighting the group's energetically hopeful vibe, conveying the members' collective message that we're all "Super" and we can overcome any hardship together as "One". The album includes 1 booklet, 1 CD-R booklet, 1 ID card, 1 ID card holder, 1 postcard, 1 folded poster, and 2 photo cards.

Ohms is a magnificent tour de force and their first album in 4 years since the critically acclaimed Gore in 2016. The album boasts a familiar collaborator in veteran producer and engineer Terry Date, who worked on 1995’s Adrenaline, 1997’s Around the Fur and 2000’s White Pony. 10 tracks of raw escapism and unparalleled grooves that have made Deftones' sound singular for over two decades.

Overflowing with musical ideas and topical lyrics that sound just as relevant today as they did when they were initially released, Prince’s iconic double album captured the artist in a period of complete reinvention. The 3CD Deluxe Edition features the classic album remastered by Prince’s original mastering engineer Bernie Grundman, along with single mixes and edits released in the period the album was released.

For their fourth album as Cayucas, brothers Zach and Ben Yudin are heading back to the beach — in other words, to the sunny, vibrant, melodic rock from which they first paddled out. While at first listen the tracks may seem to simplify the glory of a sunny SoCal day, there is typically a slight pang or sense of longing present. Fitting for a year rife with our own bummer summers.

The Third Gleam marks a return to the Avett Brothers’ roots, both sonically and with Seth & Scott playing as a trio with longtime bassist Bob Crawford. The eight tracks capture their personal experiences and perspectives on undeniably timely, universal themes: isolation, gun violence, incarceration, historical prejudice, mortality, resilience, love, hope, redemption.

Live at the Roundhouse is unlike any other concert recording connected to Pink Floyd. It's the nearest thing you can get to a time machine with Nick Mason, the only band member to have played on all of Pink Floyd’s studio albums, transporting you back to the group's earliest records, playing only music recorded before The Dark Side of the Moon.

From primitive origins nearly four decades ago, Napalm Death has been a prime mover in defining the sound of the underground by pushing sonic speed limits and galvanizing the extremes of metal, punk and hardcore - creating "grindcore" in the process. Throes of Joy is yet another chapter in their history that’ll leave most aural extremists in the dirt.

Alicia Keys is ready for a new era. The singer releases her 7th studio album, ALICIA, which includes the previously released tracks “Underdog,” and “Time Machine”. Keys mentioned in an interview that working on the album and memoir was, “the best therapy I ever had.” We could all use a little bit of that.

As chaos envelopes the world, Manson penned the perfect prescription. The aptly titled We Are Chaos was written/produced by Manson & Shooter Jennings. Rock & roll icon and painter, Manson continues to infiltrate fashion, film, and music, leaving his fingerprints on modern culture.

On this record, Vega revisits familiar songs in her repertoire, as well as some hidden gems. Recorded live at New York’s Café Carlisle (on 14 March last year), Vega’s backed by longtime guitarist, Gerry Leonard, bassist Jeff Allen and keyboardist Jamie Edwards.

The enduring California rock quintet realign on their fifth full-length and first album since 2014, What Is There. As much as it reflects their journey thus far, it also ushers them into new territory as both musicians and, most importantly, friends. In the end, Delta Spirit not only return, but move forward together.

The supergroup-Renee Rosnes (piano), Melissa Aldana (tenor sax), Anat Cohen (clarinet), Ingrid Jensen (trumpet), Noriko Ueda (bass), Allison Miller (drums) and Cecile McLorin Salvant (vocals)-conjures a powerful, multi-generational, globe-spanning collective voice. The 9-track project features material composed/arranged by the instrumentalist members that unfurls with a dynamic flow, stunningly eclectic yet entirely cohesive.

On the band’s first album as a paired down trio, their signature psychedelic blues riffs, relentless drums, melodic bass lines and non-linear lyrics are all present. You also have tape loops coinciding with unplugged minimalism. It’s their heaviest album marked by their broadest atmospheres, intimate and pummeling.

The follow up to 2013's Purgatory/Paradise is an outpouring of modal guitars, reverbed shapes, echoey drums and driving bass set behind Kristen Hersh's well-thumbed notebook of storylines. A ten-song opus of suitably wrought tales set against a wall of sound that's at once calm and ethereal before building into glorious cacophonous crescendos.

Blending folk intimacy, country grit, and alt-rock muscle, Dandelion is an ode to survival in the face of struggle, a full-throated tribute to the power of hope and the unbreakable bonds of family fueled by raw, honest storytelling and lush, cinematic arrangements, expanding the homespun craftsmanship of the Nashville duo.

An extraordinary tribute album to one of rock's great composers, Marc Bolan, AngelHeaded is a collection of major stars (including Elton John, U2, Joan Jett, Nick Cave, and Peaches) reinterpreting and reimagining some of Marc Bolan and T.Rex’s greatest tracks including “Jeepster,” “Bang A Gong (Get It On),” and “Ride A White Swan.”

Bach's monumental "Goldberg Variations" stands as a work of unique, brilliant artistry in piano literature. Lang Lang first began exploring the masterpiece 20 years ago, now presenting this album as the outcome of a personal, emotional journey. A new stage in Lang Lang's artistic development, it's a project of a lifetime. Alongside studio recordings is a 1-take from a recital at iconic St Thomas Church.

Tomplicated Records release the eagerly anticipated second record from 21 year old singer/songwriter Declan McKenna. This 10 song follow up to 2017's What Do You Think About The Car? includes the hit singles “Beautiful Faces,” “The Key To Life On Earth,” “Daniel,” “You're Still A Child,” and latest single “Be An Astronaut”.

With his debut album turning five on 4th September, Rex Orange County has announced that he’ll be releasing his first record on vinyl for the very first time. “I remember being 16, mid-way through my final years of school and feeling like I had a lot I wanted to say,” Rex says of the album. “I didn’t have a strong intention with the release of Bcos, I just felt determined to make something and put it out into the world. But with it came the idea and belief to pursue music as a career.

S&M2 was recorded in San Francisco over two nights in September 2019 with the San Francisco Symphony to commemorate the 20th anniversary of S&M. Features 20 songs from the two-night event, with many Metallica fan favorites and two unique classical songs chosen by San Francisco Symphony Music Director Michael Tilson Thomas.

The Waterfall II completes The Waterfall, My Morning Jacket's acclaimed 2015 record. Originally intended to be a sprawling triple album, the band were advised to hold back and keep some of it on the shelf. Until now! Frontman Jim James says, "this is simply the second half of a long snapshot of life for me as a writer… and the life of us as a band as we lived and worked.”

Produced by Shaun Morgan and engineered and mixed by Matt Hyde (Deftones, AFI), their new album Si Vis Pacem Para Bellum, (which translates to “If you want peace, prepare for war”) features Shaun Morgan’s aggressive, highly melodic songwriting, some of the most expressive, politically charged music he’s ever made.

A spectrum of talented artists are featured, on the duo’s newest album, including for the first time, rappers. Appearances from Mick Jenkins, ChannelTres, Amine and slowthai sit comfortably alongside legendary Common; with the inimitable Kelis and powerhouse team, Kehlani and Syd.

Multi-Platinum, GRAMMY-winning megastar Toni Braxton releases her latest album, Spell My Name, via Island Records August 28th. Includes hit single, "Do It" as well as a new version with Missy Elliot, and fan-favorite "Dance"

Molly Tuttle finds solace in revisiting favorite songs from throughout her life in an attempt to “remind myself why I love music.” The result is 10 tracks that cross the musical spectrum and the decades, from FKA Twigs to Cat Stevens, from Rancid to Karen Dalton- all united by Tuttle’s clear, true voice, astonishing range and incredible musicianship

As Mortal makes exceedingly clear though its preposterously fantastic trans-dimensional death metal, 2017’s Blood Offerings was not a blueprint, but a blasting cap; the malicious maelstrom it released was not a squall, but a paradigm-scrambling superstorm. Blood Offerings was Necrot creating an opening into another world, Mortal is them walking through it.

On his sophomore album, Nashville-based artist Ruston Kelly now documents his experience in maintaining sobriety, and finally facing the demons that led him to drug abuse in the first place. But while Kelly recounts that journey with an unvarnished honesty, his grace and conviction as an artist ultimately turn Shape & Destroy into a work of unlikely transcendence.

Got To Be Tough is a reminder that through Toots’ creative veins run all the roots and shoots of the Black Diaspora. Blues, soul, RnB, funk, jazz, reggae, African griots – Toots honors, embodies and owns them. Throwing down an authoritative guide: how to survive and thrive among our earth challenges.

Bless Your Heart is fueled by “road-forged camaraderie and telepathic musical intensity, vibrantly reflecting the individual and collective experiences of these seven, all drawing inspiration from the band’s symbolic hometown, a place Devon Allman calls ‘the United States of Americana’.”

Ordinary Madness was completed mere days before the US shutdown, its cathartic song-craft and themes of shared troubles couldn't chime better with a period in which our souls and spirits are under fire from tumultuous global events. Trout comes armed with a boundary-exploring new studio album that bring his fans even closer.

On PVRIS' highly-anticipated third studio album Use Me, frontwoman, multi-instrumentalist, songwriter, and producer Lynn Gunn steps into a new chapter, as she owns her role as PVRIS’ leader and sole architect. The result is 11 pop conjurations of glitchy beat-craft, airy guitars, and spell-binding vocals.

Grammy award-winning singing sensation Gregory Porter’s 6th studio album, All Rise, is a heart-felt, joyful celebration of the evolution of his art to something even more emphatic, emotive, intimate, and universal. Along with producer Troy Miller (Laura Mvula, Jamie Cullum, Emili Sandé), Gregory takes us higher than ever with this uplifting album.

Grammy-nominated singer-songwriter J.S. Ondara reveals Folk N Roll Vol 1: Tales of Isolation, a new collection of songs written in direct response to the current global pandemic. The album was composed and produced by Ondara while in lockdown in Minneapolis over the course of a week, and came out of Ondara’s deep need to create as a form of therapy during this incredibly uncertain time.

The five-time Grammy-nominee and Blues Hall of Fame inductee releases a new album that features songs primarily popularized by women who were the “bridge she came across on.” From Dinah Washington’s "Drinking Again," Nina Simone’s "I Hold No Grudge," Billie Holiday’s "Strange Fruit," Nancy Wilson’s "Save Your Love For Me" and more, they are all delivered in LaVette’s rich and raspy tone and a touch of the blues.

Old 97's return with Twelfth, their aptly titled 12th studio album, recorded this spring in Nashville, Tennessee between a tornado and a pandemic. Twelfth's lead single "Turn Off The TV" might be the unintentional anthem of 2020, celebrating the occasional, necessary need to turn off the TV set and tune out the outside world.

The D'Addario brothers return with their third Lemon Twigs album, Songs For The General Public. The prodigiously-talented brothers first emerged in 2016 with their debut LP Do Hollywood, whose show-stopping melodies mined from every era of rock quickly earned fans in Elton John, Questlove, and Jack Antonoff.

Celebrating life and purging angst, In Sickness & In Flames finds The Front Bottoms pushing forward with positive and creative energy. Describing their new album, they said: “When we were settling on the title, it meant something completely different to us. We could have never imagined where the world would be just six months later… this album has developed into something of its own that we no longer control the narrative of”.

Sivan’s new six-song concept EP is an infectious plea to set a relationship back on course. “A story that’s still unfolding, this small collection of songs explores an emotional rollercoaster period in my life when the feelings and thoughts were most shockingly fresh,” explains Troye Sivan. Troye recorded five of the EP’s six songs with producer Oscar Görres (The Weeknd, MARINA, Tove Lo).

An energetic and exhilarating musical rollercoaster ride. Within the first ten minutes the band have already careened through a blitz of post-punk riffing, wastoid gang shouting, a singalong anthem-for-the-disaffected and a Talking Heads-ish funk- rock workout with bits of shimmery synth and lo-fi slide guitar riffing thrown in for good measure.

The Killers' highly anticipated sixth studio album. Produced by the band with Shawn Everett & Jonathan Rado of Foxygen, the album features a brilliant array of collaborators, a first for the band who typically keep guest spots to a minimum. With Lindsey Buckingham, k.d. lang, Weyes Blood, Adam Granduciel (War On Drugs), Blake Mills and Lucius.

One of the most creative, loved and literate bands of the last four decades return this summer with their 14th studio album Good Luck, Seeker. Standout track is the seven-minute mash-up manifesto “My Wanderings In The Weary Land”. Is it psychedelic soul? Is it trance? Is it punk?

The genre-bending, multi-platinum selling Mavericks are changing the game once again with the release of their first-ever Latin format album En Español. Produced by the band's longtime creative partner Niko Bolas (Neil Young, Prince, Sheryl Crow), En Español features a compelling mix of standards and Spanish-language originals in signature Mavericks style.

Sugaregg roars from the speakers and jumpstarts both heart and mind. Like My Bloody Valentine after three double espressos, opener “Add It On” zooms heavenward within seconds, epitomizing the band’s newfound clarity of purpose, while the bass-driven melodies and propulsive beats of “Where to Start” and “Let You” are the musical equivalents of the sun piercing through a perpetually cloudy sky.

A collection of sonic mantras to live by, Source is a deeply personal offering in which Garcia maps cartographies around the coordinate points of her identity, her family histories, grief, afro-diasporic connections and collectivism. It's about a realization of personal and collective power: the evolution of the saxophonist’s values as she re-connects with herself, her roots and her community.

Burning deep in Girl Friday's music is an unquenchable will to survive. They don't blunt the impact of the themes they work through in their ferocious, knotty rock songs, but they don't let the more harrowing aspects of being alive and young in the 21st century daunt them, either. Dystopian shades of post-punk and noise rock abound alongside abundant optimism on this arresting debut album.

After a serious bout with COVID-19, JD’s making it his mission to bring joy and understanding through music. The album, according to Simo, holds, “a sentiment I hope we all can relate to. I try really hard to grow and account for the things about myself I want to change. In the same breath, I see how I fall short. There’s no harm in that unless you don’t keep trying.”

On Nashville Tears, Rumer immerses herself in the catalog of Hugh Prestwood, a songwriter whose name is spoken with reverence by his colleagues. An album to savor, Nashville Tears collects fifteen of Prestwood’s finest songs, many never recorded until now, revealing truths of the heart, both intimate and universal, realistic and romantic.

Have You… fuses elements of hip-hop, R&B, funk, soul, and rock ‘n roll into an incendiary synthesis all its own.Inspired by socio-political albums coming from black America in the late 1960s and into the 70s, the album sees Negrito exploring the struggle and complexities of mental health issues while continuing his lyrical examination of America’s increasingly broken social and political affairs.

Dreamland marks the first album from the Oxford quartet since drummer Joe Seaward was severely injured in 2018 riding his bike in Dublin. “The idea for this album came at a time of confusion and uncertainty,” frontman Dave Bayley explains. “My best friend was in the hospital. I didn’t know if he’d make it. The future was damn scary and completely unknown.”

“Deep Purple is putting the Deep back into Purple” was the half-joking motto in the studio after the first songs made it clear that the band and three-time collaborator/producer Bob Ezrin were on their path to creating an album pushing the boundaries of time, while voicing their resentment about the current situation of the world and addressing all generations.

Brighter, more robust sounds made their way into the songs of Purple Noon and mark a new chapter for Ernest Greene as a producer and songwriter. The vocals are front and center, tempos are slower, beats bolder, and there’s a more comprehensive depth of dynamics. One can hear the luxuriousness of Sade, the sonic bombast of Phil Collins, and the lush atmosphere of the great Balearic beat classics.

To commemorate the 20th Anniversary of his debut album, A New Day Yesterday, Bonamassa is releasing a newly re-mixed and re-recorded version. Joe re-sang all the vocals over and played new guitar tracks on some songs. Includes 3 bonus tracks written by Stevie Van Zandt and Joe which were demos from the 90's that never made it on to any records. Never heard before vintage Joe!

Flaming Pie is the 13th release in the Paul McCartney Archive Collection, personally supervised by McCartney and remastered at Abbey Road Studios. Originally released in 1997, the critically acclaimed & universally beloved solo album was produced by Paul, Jeff Lynne, and George Martin, featuring a supporting cast of family and friends including Ringo Starr, Steve Miller, Linda McCartney, and son James.

Barely a year after the release of their acclaimed debut album Dogrel, Fontaines DC have returned with an intensely confident, patient, and complex sophomore album. A Hero's Death arrives battered and bruised, albeit beautiful - a heady and philosophical take on the modern world, and its great uncertainty.

After undergoing open heart surgery that saved his life, Crockett says he considered calming down for “just a minute.” Welcome to Hard Times was shaped by his heart issues and producer Mark Neill’s desire to make a dark, gothic, country record. “I think you can hear that deep, dark sadness in this record,” he says, “but I think it’s the kind of darkness that will uplift others.”

The groundbreaking British band’s eighth studio album and first new album in nearly three decades sees the band returning to the fray as relevant and original as ever before, fueled by their innovative sonic approach of distinct, desperate wall of sound, melding haunting melodies and driving rhythms with ambition, aggression, and subversive lyrical power.

A decade after debuting on Matador, Spoon's first album Telephono and follow-up EP Soft Effects have been brought back into print by Merge, reminding us that while the band's taut rhythms, spiky guitars, and jaded urbanity have always been with them, the starkly gestural rock they perfected on later efforts was only attained by a gradual paring away of excesses.

Pop Smoke's legacy continues with posthumous debut album, Shoot For The Stars.... Features include Quavo, 50 Cent, Roddy Ricch, Lil Baby & more. True to the intentions of showing the breadth of his artistry on "Got It On Me", fans will discover a new side of Pop Smoke, stepping outside of the Brooklyn drill sound that he brought on a global scale.

Mondo Cozmo does not regret putting his fist through that window while crafting his second LP. In the aftermath, he learned how to “Say no,” departed amicably from the major label system, “taped a fucking pick to his cast” in order to play guitar, lost feeling in the aforementioned hand for two years, and wrote the rock ‘n’ roll record he always meant to write.

Produced over the course of two years, Yaeji started writing with no specific narrative in mind. Through that freedom, melded in cozy and laidback production, the album spans a wide range of sounds, including the Korean indie rock and electronica that she listened to as a teenager in Seoul, and late ’90s and early 2000s hip hop and R&B she grew up listening to.

Since breaking through with her first two Eps, Arca’s created an unprecedented body of work drawing from club music, experimental noise, and the ballad tradition of her native Venezuela, while reaching beyond music to encompass performance, visual art, and technology. For KiCk i, Arca pursues pleasure, dignity, and dance floor liberation by refracting club music, reggaeton, and pop through her radical vision.

After a legendary career as the enigmatic frontman for Pulp, and a successful run of solo albums and collaborations, Jarvis Cocker debuts his first new full length album since 2009 with musical project JARV IS... an ongoing live experience because life is an ongoing live experience. This is not a live album. It's an alive album.

In a departure from the nuanced introspection of her previous work, Fetch the Bolt Cutters is Fiona Apple’s fifth studio album and her first in eight years since 2012’s The Idler Wheel. It’s the sound of a woman freeing herself from the constraints of form, expectation, and establishment — burning everything down to make a profoundly singular work unlike anything that’s ever existed.

Known for their stellar synth-pop melodies, and relatable lyrics about love, loss and everything in-between, pop quartet The Aces have gained worldwide popularity since their 2018 debut album, When My Heart Felt Volcanic. They describe the new record as a "whole new chapter" for them –– an "an exploration" that deepens their previously established feel-good sound.

The intimate collection of songs featured on Manos’ debut EP has been described as raw and deeply personal. The artist explained, “If it feels like looking in on something private, it is”. The New York Times called “Tennessee,” first single, “An electronic lament, Auto-Tuned and steeped in James Blake and Frank Ocean.”

While the Gentlemen’s sound is clearly steeped in the classic roots, rock and pop music of the ‘60s and ‘70s, there’s a dreamy, spacey, and occasionally progressive element. Add in elements of funk, soul, country, r&b, southern rock, gospel and you have more than just a mere album. Rather, Floor It!!! is a rich and righteous ride.

While on a surface level, Species is an exploration of the sonic possibilities of the Farfisa organ, aided only by a clarinet and double bass, it’s a nod to both humanity and humility. It’s also about suspended time and trance; not just a steady movement from A to B, but as something that flows, meanders and eddies, like water.

The session for Just Coolin’ (March 8, 1959) finds The Jazz Messengers’ saxophone chair in transition. The band had last recorded in October 1958 when they cemented their place in jazz history with the classic album Moanin’ featuring Benny Golson on tenor saxophone. By July 1959, Blakey had recruited tenor saxophonist Wayne Shorter who would remain a fixture of the band until 1964.

Gaslighter (produced by Fun.’s Jack Antonoff) is the brilliant new album from the superstars, renegades, innovators, heroes, villains, and moms that have grown from a band into a cultural phenomenon. It’s their first new album since 2006's Taking the Long Way, which won five Grammy Awards including "Album of the Year," "Record of the Year," and "Song of the Year."

The new album, produced by Sturgill Simpson, commits her sky-high and scorching rock-and-roll show to record for the very first time. Whether she’s singing of motherhood or the mythologies of stardom, Nashville gentrification or the national healthcare crisis, relationships or growing pains, she’s crafted a collection of music that invites people to listen closer than ever before.

Written over the course of a decade in which the Athens, Georgia-based duo was primarily known for their own respective projects, the songs here represent something of a look behind the curtain, a captivating series of musical journal entries that reveal the evolution of a relationship in all its messy, honest, imperfect beauty.

The fourth album by Nashville-based self-described “sunshine pop” band. This twelve-song-set is their boldest work to date, breaking sonic barriers while maintaining lush melodies and artistic influences. Musically adjacent to successful pop artists from the 1960s and 70s like The Beach Boys, Turtles, Association, Grass Roots.

In a departure from the nuanced introspection of her previous work, World On the Ground unfolds as a finely wrought collection of stories from her hometown of Wimberley, Texas (population: 2,626), presenting a series of character sketches nearly novelistic in emotional scope. Jarosz reveals her remarkable gift for slipping into the inner lives of others and patiently uncovering so much indelible insight.

Premiering 11 new studio performances and featuring original artwork created by his son Micah, First Rose Of Spring finds Willie working again with longtime friend and producer Buddy Cannon. Alongside new tunes, Willie pays musical tribute to a variety of pop and country songwriters and performers, including Toby Keith, Billy Joe Shaver and Pete Graves.

Interloper sees the band adding new layers to their lush and mesmerizing songwriting style while expanding on their most esoteric and thought-provoking themes. Holy Wave weaves together a contemplative tapestry that can serve as a road map for the diffident, a soundtrack to self-realization, or simply an invitation to escape.

Celebrating the 20th Anniversary of Grammy-award, multi-platinum artist Jill Scott's debut album, Who Is Jill Scott?. Limited Edition double LP pressed on blue vinyl. Jilly from Philly channels the feisty funk of Betty Davis’ “Nasty Gal” and the soft-lensed romance of Minnie Riperton’s “Perfect Angel.”

Haim regularly push themselves out of their comfort zones, experimenting with glitchy electronics, slatherings of sax, and dubby syncopation (“Another Try”, which feels like a sparkier sibling to Lana Del Rey’s cover of Sublime’s ‘Doin’ Time’). Between all of the new, though, the sisters are still experts at deploying irresistible rock, like the rousing, shout-a-long brilliance of “The Steps.”

Grey Daze, Chester Bennington’s pre-Linkin Park outfit, had just reformed before the untimely death of Bennington in 2017. Amends feature’s remastered vocals from one of rock’s most recognizable voices. It’s an origin story and a deeply intimate full circle moment among friends and fans. Featuring multiple guests from contemporaries such as Korn, Helmet, Bush, and Breaking Benjamin.

Corb Lund embraces his rich and rustic western heritage with a style that’s unique, honest and resolute, while touching on a range of cowboy themes — from rough-and-tumble tales of lawless frontier saloons, to the somber realities of running a modern family ranch. It’s a classic sound with a twist, something of a rarity these days, but one that evokes the spirit of the American West, past and present.

Monovision is Grammy Award-winning artist Ray LaMontagne’s eighth studio album. The 10 new tracks see Ray not only writing and producing but also add on duties of engineering as well as performing all the instrument. The guitar-driven single, “Strong Enough,” features Ray’s signature raspy vocals his fans have come to love.

The legendary dancehall singer’s 13th studio album - his first since Grammy-winning Before the Dawn in 2010. Banton says of the album, “[it] comprises 20 tracks. Why? Because it’s 2020... 2020 has a deeper understanding in my mind. It resonates with a clear vision and seeing things for what it is. After a 10-year absence, we try to give the people some music for that missing time.“

Like A House On Fire is an album that shows the group's continuity of a more straight forward and melodic hard rock sound, as established on their previous self-titled fifth album, while also shifting into different genres. It’s also yet another Asking Alexandria album that will divide opinion. And, once again, the band themselves are unlikely to care.

Color of Noize reflects a melting pot of influence and experience with jazz flow, hip-hop groove, soulful depth, spiritual uplift, and creative fire — but the concept is best described in more abstract terms. As Hodge lays it out, “It’s the contrast, it’s the beauty, it’s the chaos, it’s the freedom — all of that.”

Although the album directs itself at the failures of people to love and be loved, it also seeks to restore justice and attain blissful union. Its arc crests through the dark towards the light and learns how to dance with the dizzying rhythms of the heart. The songs bubble, sustain, dissolve, expand, retract.

Guitarists Mitch Galbraith says of the new album, “It’s pushing forward into the unknown.” An unknown that consists of 70's guitar rock, country and western, old school funk and synth-heavy new wave to create a deeply contemplative and atmospheric odyssey reminiscent of music legends including Fleetwood Mac, Dire Straits and Pink Floyd.

One of the most important musical influences of the 20th century, Peggy Lee wrote over 200 songs, recorded over 1,100 masters, and had over 100 chart hits throughout her seven-decade career. As a salute to the music legend, and celebrating her landmark 100th birthday, comes a brand new career-spanning collection, Ultimate Peggy Lee.

Ambrose Akinmusire follows his acclaimed, genre-busting best-of-2018 manifesto Origami Harvest with another visionary statement on his new album on the tender spot of every calloused moment, which finds the trumpeter examining blackness on an uncompromising set of modern jazz laced with a heavy feeling of the blues.

Growing out of Jones’ acclaimed singles series, the unreleased songs unexpectedly congealed into an album of tremendous depth and beauty. Featuring a range of collaborators from Brian Blade to Jeff Tweedy, Pick Me Up Off The Floor is connected by the sly groove of her piano trios, lyrics that confront loss and portend hope, and a mood that leans into darkness before ultimately finding the light.

The highly anticipated new album, which marks his return to creating music after a four year hiatus from his previous album Phase, was self-produced with additional production by Jacknife Lee, James Flannigan and Brett Cox. The album compiles all four individual volumes of Love, Death & Dancing, kicking off with lead single "Time."

Hailed as an “Americana prodigy” by Rolling Stone and one of the “teenagers shaping pop” by The New Yorker, Brue has always been an artist seemingly wise beyond his years. But on Crash Test Kid he often gets at the heart of a matter or melody with just a simple but insightful turn of phrase or cleverly-picked guitar.

In celebration of the 60th Anniversary of Frank Sinatra's Nice 'n' Easy, the album will be remastered and released on June 5th. Features the original 12 tracks like "The Nearness of You", as well as full sessions of "I've Got A Crush on You" and "Nice 'n' Easy" that include previously unreleased alternate takes and reveals Sinatra studio chatter.

For years, Trixie Mattel has broken boundaries not only for drag performers in the music world but also for LGBTQ+ artists in the genres of country, folk and Americana. Barbara is laid out to reflect a vintage, plugged-in late 60s/early 70s vibe. It hearkens back to the introspective folk that took Trixie to the top of the charts (for her second album One Stone) with quieter country-tinged songs.

After years spent looking out at landscapes and loved ones and an increasingly unstable world, Rolling Blackouts Coastal Fever have turned their gaze inward, to their individual pasts and the places that inform them, on their second full-length, Sideways to New Italy.

Sports Team, a band of six singular characters who have been variously described as one of the most raucous, electrifying and chaotic acts in the UK release their debut album Deep Down Happy. The highly anticipated record, is their first release on the legendary Island Records label.