Cactus Music

Jazz pianist, composer and singer, Sarah McKenzie's sixth album, Without You, is a Brazilian jazz project that conveys her love for Brazilian music and culture. It includes a generous amount of Antonio Carlos Jobim songs along with four of McKenzie's originals and a few other selections, all played tastefully, and in her own inventive way. "I've always loved the music of Brazil, Tom Jobim, Elis Regina, and of course Astrud Gilberto," says Sarah McKenzie. "What I especially love about Jobim is the simplicity and clarity of his melodies, songs that one can remember and sing." Rather than simply recording a typical Brazilian heritage album, she reinvigorates the timeless music with fresh ideas and subtle surprises, adding to it's legacy.
Jazz pianist, composer and singer, Sarah McKenzie's sixth album, Without You, is a Brazilian jazz project that conveys her love for Brazilian music and culture. It includes a generous amount of Antonio Carlos Jobim songs along with four of McKenzie's originals and a few other selections, all played tastefully, and in her own inventive way. "I've always loved the music of Brazil, Tom Jobim, Elis Regina, and of course Astrud Gilberto," says Sarah McKenzie. "What I especially love about Jobim is the simplicity and clarity of his melodies, songs that one can remember and sing." Rather than simply recording a typical Brazilian heritage album, she reinvigorates the timeless music with fresh ideas and subtle surprises, adding to it's legacy.
5060676310013
Without You
Artist: Sarah Mckenzie
Format: CD
New: Available $18.98
Wish

Formats and Editions

DISC: 1

1. The Gentle Rain
2. Corcovado (Quiet Nights)
3. The Voice of Rio
4. Mean What You Say
5. Fotografia
6. Quoi, Quoi, Quoi
7. Once I Loved
8. Without You
9. Wave
10. Dindi
11. The Girl from Ipanema
12. Chega de Saudade
13. Bonita
14. Modinha

More Info:

Jazz pianist, composer and singer, Sarah McKenzie's sixth album, Without You, is a Brazilian jazz project that conveys her love for Brazilian music and culture. It includes a generous amount of Antonio Carlos Jobim songs along with four of McKenzie's originals and a few other selections, all played tastefully, and in her own inventive way. "I've always loved the music of Brazil, Tom Jobim, Elis Regina, and of course Astrud Gilberto," says Sarah McKenzie. "What I especially love about Jobim is the simplicity and clarity of his melodies, songs that one can remember and sing." Rather than simply recording a typical Brazilian heritage album, she reinvigorates the timeless music with fresh ideas and subtle surprises, adding to it's legacy.
        
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