ROGER WATERS: US + THEM, chronicles the acclaimed 2017-2018 tour of the iconic Pink Floyd artist. As the founding member, lyricist, composer and creative force behind Pink Floyd, US + THEM presents Waters powerful music in stunning form and highlights its’ message of human rights, liberty and love. Based around his acclaimed, sold-out US + THEM worldwide tour of 2017-18, comprising a total of 156 shows to 2.3 million people across the globe, it features classic songs from The Dark Side of the Moon, The Wall, Animals, Wish You Were Here as well as his most recent album, Is This The Life We Really Want?
Waters powerfully demonstrates that he is at heart, a musical activist and one of the most passionate political commentators of his time. He has dedicated his life to fighting against those who seek to control our lives and destroy our planet. Welcome To The Machine and Another Brick In The Wall Part II, are a stark reminder of the bleak warnings that he gave decades ago about alienation, displacement, greed, suffering, destruction and loss. And yet the humanity of the songwriter cannot be more plainly seen than in Wish You Were Here, because, although he presents a grim picture of the state of the world, ultimately his message is one of hope through unity and love.
Midnight Manor, the much anticipated sophomore album of the six-piece rock outfit The Nude Party is set for release on October 2nd via New West Records. Following two years of non-stop touring in support of their eponymous debut release, the band returned to their farmhouse in New York's Catskill Mountains to record the follow up to their acclaimed 2018 self-titles debut.
Like The Band's sacred home-recording habitat The Big Pink, The Nude Party's communal dwelling provided the landscape and proximity to focus on deepening their bonds through music. It was at the Manor that the band of childhood friends could shift their energies from the archetypical emotional journeys of mid-twenty-somethings towards rebuilding their road-worn relationships with one another, leading them to write Midnight Manor- an album that lead singer Patton Magee describes as "a stone skipping over troubled waters."
With Midnight Manor, The Nude Party shine a light on their past while at the same time moving towards a brighter future.
Bon Jovi's album 2020 is the 15th studio album from the Rock & Roll Hall of Fame band. The album features the new single "Limitless" as well as "Unbroken," which was featured in the documentary "To Be Of Service".
Live Around The World [Vinyl] is their First Live Album On Double LP!
Half-Speed Mastered at Abbey Road Studios!
Since their first appearance together in 2009 when Queen members Brian May and Roger Taylor appeared as guests on the finale of the eighth season of American Idol on which Adam Lambert was a contestant, the combination of Queen + Adam Lambert has gone from strength to strength becoming one of the world's biggest drawing touring bands. Their most recent tour of Oceania saw them selling out to massive audiences, with a single show at Sydney's ANZ stadium drawing a record crowd of over 60,000. To date the band has played to a worldwide audience approaching 4 million.
The set presents a compilation of concert highlights captured the world over personally selected by Taylor, May and Lambert from over 200 shows they have performed with several featured here becoming available for the very first time.
Half-Speed Mastered at Abbey Road
Includes entire 'Live Aid' performance from Fire Fight Australia
Queen & Adam Lambert Live Around The World Half-Speed Mastered 2LP
The Ascension is the eighth studio album from singer, songwriter and composer Sufjan Stevens and is the long awaited follow-up to Stevens’ Carrie & Lowell. One of the most acclaimed albums of 2015, The New York Times praised Carrie & Lowell as “restrained and meticulous” while Pitchfork declared it “a masterpiece.”
In the time between Carrie & Lowell and the forthcoming The Ascension, Stevens also released Oscar-nominated music for the Luca Guadagnino film Call Me By Your Name; a collaborative album entitled Planetarium with Nico Muhly, Bryce Dessner (The National) and James Mcalister; The Decalogue, a solo piano work performed by Timo Andres; and scored several works for ballet: Reflections (Houston Ballet) and Principia (NYCB).
The Ascension is musically expansive and sweeping in thematic scope.
Far from apathetic, Good Luck With Whatever is Dawes at their most unapologetic. It’s sympathetic, magnetic, 50% genetic and highly kinetic. Songs like “Didn’t Fix Me” and “Me Especially” showcase Goldsmith’s poetic prowess perfectly; a historian of the human condition, transforming turmoil into motor oil. An unfiltered photograph of a band doing what they do best, these guys learned to rock before they could crawl. Produced by 6X Grammy winner Dave “Corn On The” Cobb.
For his fourth album, Keep ‘Em on They Toes, Brent Cobb is giving his songs the space they need to speak for themselves, a reflection of his own decision to write about the way he sees the world. “My last couple of albums have been about people and places, and I wanted this album to be about thoughts and feelings,” he says.
At his core, Cobb still writes country songs, so there’s a continuity between Keep ‘Em on They Toes and past projects like 2016’s Shine on Rainy Day (a Grammy nominee for Best Americana Album) and 2018’s Providence Canyon. After living in LA and Nashville to develop his music career, Cobb and his family moved back to Georgia a few years ago – a decision that affected his songwriting. “It’s funny because the last two albums were about me growing up in Georgia, and now we’re back here,” he says. “I’m not writing about missing it anymore, so the songs are coming from within now. It’s not a longing for home, it’s what I think about now that I live down here.”
Cobb and his band recorded the project in Durham, North Carolina, with producer Brad Cook. Inspired by the spaciousness of classic country albums like Jerry Lee Lewis’ 1977 Country Memories, the new project allows the listener to hear everything that’s going on, yet the songs remain the star of the show.
Keep ‘Em on They Toes, Cobb captures the mindset of a man who values a simpler time despite living in a modern world. “To me, listening to this album feels like I’m sitting there with somebody, having a conversation,” Cobb says. “I would hope that it feels like sitting with an old friend you haven’t seen in a while. There’s nothing like being alone and listening to an album that is quiet and conversational – like those old records by Jerry Lee Lewis, Roger Miller, or Willie Nelson. I hope my music is that way to somebody now.”
Black Vinyl. Debut album on Earache Records from US Alt-Metal act Tallah. An original dose of f***ed up and disturbing alt-metal insanity. For fans of Korn, Code Orange, Slipknot, Deftones & Vein. Exhilaratingly fresh whilst incorporating nostalgic 90s nu-metal vibes
This new release from Herb Alpert Presents is the definitive retrospective on the illustrious career of one of America's most unique musical voices, Herb Alpert! Containing 63 tracks culled from 6 decades of the trumpeter's classic recordings, HERB ALPERT IS... is the perfect companion piece to the new 2020 feature length documentary of the same name. Presented in a coffee table style LP record book containing five 12-inch, audiophile quality 180-gram vinyl records and 180 pages of vintage photos, extensive song credits, and a 7,500 word essay written by Bud Scoppa. The record book is housed in a custom slipcase with a screened printed smoked acrylic window.
In the seven years since Aloe Blacc’s (the voice and collaborator on Avicii's worldwide smash hits Wake Me Up and SOS) last album, Lift Your Spirit, the global superstar spent time working on an even dearer project: his family. All Love Everything, his upcoming album, is the singer-songwriter’s first collection of material written as a father, a journey that’s expanded Blacc’s already heartfelt artistic palette. The listeners who have followed Aloe Blacc over the course of his 14-years-long career know that his facility with language and sound is deep -- if anyone was up to the task, it’s him.
Double green and black vinyl LP pressing in gatefold jacket. 2020 release, Yung Lean's seventh full-length following 2018's Poison Ivy. Starz includes previously released singles "Boylife in EU," "Violence," and "Pikachu." Much like Lean's overall catalog, the album feels almost impossibly cohesive. In part, that's thanks to production entirely from longtime collaborator whitearmor - they kept the sessions intimate and secluded, recording partly in an old ballet hall in the Swedish countryside. But this is an album only Lean could make, as a young veteran, with a sound and career that's well-entrenched globally but still doggedly, even perplexingly, on it's own planet.
“THE ALBUM” Includes a Package Box (4 different versions), Hardcover Photobook (96 pages), CD, Postcard Set (4 unique cards), Credits Sheet, Photocards (2 of 20, random), Postcards (2 of 20, random), Sticker (1 of 4, random), Mounted Photocard. All sales count towards Soundscan and the US Billboard Charts.
This will come as no surprise to those who've followed GGM since 2014's Bishouné: Alma Del Huila, the critically-lauded, self-produced EP that put him on the map, and served as sample fodder for a handful of popular music's most iconic artists. His follow-up LP, 2017's Jardin, melded classical and folkloric instruments with rnb, hip-hop, and cumbia, proving once again that Gabriel is totally comfortable making transformative, funky, cathartic records all by himself. Agüita, his first release for Jagjaguwar, is a sequence of impossibly diverse offerings ranging from trap anthems to string-drenched art pop ballads - a prismatic self-portrait, personal and universal all at once. The artist is present, and he is in final form. Garzón-Montano's ability to execute a wide range of musical styles is his secret weapon - and so it is no wonder he bristles at the prospect of settling into any one genre. "Genre has never been a consideration," he says. "The idea of genre uses fear of failure as a baseline. Genre puts the music in a box. This album is anti-genre. Anti-fear. Anti-box." What remains is an ultra-personal journey through the three separate characters that constitute GGM's personality: the debonair leading man, the wistful impressionist, and the Latino Urbano hitmaker. In this life, a first-generation American, born in Brooklyn to French and Colombian parents, can marry 808s with 19th-century art song, and catch a million plays in a weekend. In this life, old school analog tape and autotuned, varispeeded androgyny live together in perfect harmony, and the algorithm meant to guide us to our next playlist is of no use. In this life, big brujo energy means blunts and 3 inch heels; it means Appolonia's hands around you from the back of that motorcycle; it means nueva cancion, and reggaeton; it means the rabid, joyful individualism of funk - of oneness - of the one. (Yeah, in this life - you're on your own.) The magic of Agüita lives in Gabriel's ability to consolidate a range of truths into a focused, crystallized idea. "Bloom," "Blue Dot," and "Fields" compare the growth and loss inherent in human life with the changing of the seasons and the life cycles of the universe; on "Fields," Garzón-Montano evokes the despondent whimper of Thom Yorke. There are mirrors of the same themes in compositions like "With a Smile," "Tombs," "Someone," and "Moonless," a quartet of songs that explore the births and deaths of the relationships we have with the people we love; on "Moonless," Gabriel explores for the first time his struggle with the grief of his mother's passing: "Mama died / and I was moonless in a Stygian tide... trying to hide the ripening tumor / breathing fire, love but a rumour / There's a woman in my sky / 17 when I learned to cry... " It is to his immense credit as a songwriter that we are left with an understanding of the depth of his loss, despite having never experienced it. Equally impactful are the trap and reggaeton cuts - the album's energetic high points. On "Agüita," "Mira My Look," and "Muñeca," GGM delves into club-banger territory, performing in Spanish for the first time on record. Whether you're here for the medium, or for the message, for the man himself, or one of his characters, Agüita stands as the strongest installment thus far in a series of alarmingly sincere, sensationally profound works, from an artist who has sought not only to challenge established preconceptions and categories, but to expose their ultimate unworthiness. From composition to execution, the product distills the essence of Gabriel Garzón-Montano's genius, an uninterrupted creative process rare in this age of fattened album credits.
Rare Ella Fitzgerald 1962 Live Album The Lost Berlin Tapes - Recorded two years after her iconic release Mack the Knife: Ella in Berlin. A rare Ella Fitzgerald live album has been announced. The Lost Berlin Tapes, recorded at Berlin's Sportpalast in 1962, arrives October 2 (via Verve). Found within the private collection of Verve founder Norman Granz, the concert tapes were recorded two years after the Berlin concert that made up Fitzgerald's iconic live album Mack the Knife: Ella in Berlin.
The Rarities is a compilation of fan favorites, rare songs and unreleased gems, all hand-picked by Mariah herself. In addition, the second disc is the never before released full length audio from Live at the Tokyo Dome, Mariah’s first concert performance in Japan in support of her 1996 Daydream World Tour.
Brand new eighth studio album from Melanie C aka Sporty Spice of the iconic Spice Girls. Pop with danceclub attitude; album has a positive message combatting depression and embracing body positivity. Includes the singles “Who I Am” and “Blame It On Me”.
Joachim Cooder has been a sought-after percussionist for two decades now, on now-legendary recordings with his father, Ry Cooder, like the landmark Buena Vista Social Clubsessions and on his own with artists like Ali Farka Touré, who inspired Cooder to take up the mbira. He has produced albums for other artists, composed for film, and collaborated with choreographer Daniel Ezralow
Double vinyl LP pressing. 2020 release. Mama's Boy, Lany's third album, is an intentional return to the trio's Great Plain roots; songwriter/lyricist/producer Paul was born and raised in Oklahoma. After Malibu Nights' world tour, he fled to a countryside studio near Nashville. Showing a cognitive dissonance between his adopted L.A. persona VS his origins, Mama's Boy is a sweeping tribute to home, heritage, Americana, a symbolic reflection of being a kid today. "There's not one person in the world I don't want to hear Mama's Boy".
More From The Levee is the 18th album from iconic bluesman Chris Smither. Deemed "one of the absolute best singer-songwriters in the world" (Associated Press), the album is a brilliant continuation of Smither's 50-year retrospective album, Still On The Levee (2014). Reconnecting with his roots, Smither recorded the career-spanning album in New Orleans at the fabled Music Shed. What resulted were 24 reimagined takes from Smither's vast career with help from very special guests including the legendary Allen Toussaint and Loudon Wainwright III. More From The Levee contains ten of these gems including fan favorites Drive You Home Again, Caveman, and a new Smither original titled What I Do. Producer Dave Goodrich says, 'We still had extraordinary performances left in the vault, another irreducible collection of Chris's songs full of great performances, intimate and immediate. It's a truly special recording, a snapshot of some powerful music-making.'
Collection of 16 NRBQ rarities, 12 previously unissued Packaging featuring new liner notes, annotations and photos Live tracks, radio tracks, single sides and soundchecks - all 100% Q!
“The music goes ‘round with love. It’s why this band means so much to so many.”
In their over five-decade career, NRBQ has never played by the rules. Why should they? They’re the Q. While other artists may have supplemented their discography with rarities sets by this point in their career, In • Frequencies has the distinction of being the first-ever collection of NRBQ outtakes and rare tracks! Sure, there have been other odds ‘n’ ends albums, but none before like this one.
In • Frequencies, is a journey with the Q through a different lens. A true, career-spanning collection, the album begins at the bands’ beginning, with a soundcheck recording from October of 1968 and travels all the way to recent days, including the first physical appearance of their 2018 digital EP track, “April Showers” (recorded for the 2018 film Change In The Weather, with the late, great, Hal Willner as musical director).
All but four tracks are previously unissued. Of the recordings that have previously escaped into the world, two made their debut on now, rare 45s. They are the NRBQ offshoot ‘mock’ group, Dickens, which provides the obscure 1970 single track, “Sho’ Need Love” (“We just put everything on 10 and went wild”), and “Sourpuss” recorded in Memphis in 1974, and first issued on the Select-O-Hits label.
The tracks are annotated with information, anecdotes and photos elaborating on the recordings made in studios, radio stations and stages across the country and the decades. In • Frequencies is a deep dive into why the band is a favorite of humans the world over and is a perfect compendium to their core studio albums and retrospectives you already love.
No need to ask Kenneth the frequency, all of the magical sounds and majesty of America’s favorite band are on full display on In • Frequencies – CD, LP, and Digital.
If 'Joy As An Act of Resistance.' was meant to detail the band's manifesto, then their highly anticipated third album ' 'Ultra Mono' - is the sound of IDLES heading into battle, battering ram in hand, for those tenets. Sonically constructed to capture the feeling of a hip-hop record (Kenny Beats even helped with programming on several tracks), the songs double down on the vitriolic sneer and blunt social commentary of their past work. Not far beneath the surface of their self-admitted sloganeering lies a deeply complex and brutally relevant album that chews up clichés and spits them out as high art for the masses. Active presence and self-acceptance also stand at the core of 'Ultra Mono,' with much of the songwriting done on-the-spot in the recording booth, and the phrase 'I am I' serving as a lyrical and spiritual mantra throughout. Ultimately 'Ultra Mono' is a celebration of community.
The album features 15 tracks highlighting the group’s energetically hopeful vibe, conveying the members’ collective message that we’re all “Super” and we can overcome any hardship together as “One”. The album, which will be released on Sep 25, includes 1 booklet, 1 CD-R booklet, 1 ID card, 1 ID card holder, 1 postcard, 1 folded poster, and 2 photo cards. This is an official release from SM Entertainment and Capitol Records.
Free Love thrives on collaborative frisson—two people pushing one another into new territories with the shared assurance of knowing they’re in good company, a sort of trust fall in reverse. Yes, these 10 songs are some of Sylvan Esso’s most direct. And most delicate. And most intricate. And most urgent. Free Love carries the confidence of two people delighted to be all those things, together, at once.
Single LP on black vinyl in single jacket w/ euro sleeve & matte coating. Includes coupon for full download
An explosive album of pain, rage and fear with some of the most direct and confrontational lyrics of his four-decade career. According to Bob, “This is the catchiest batch of protest songs I’ve ever written in one sitting.”
The Buckleys, a three-piece band featuring siblings Sarah, Lachlan, and Molly, embody a brand of “hippie country” representing the infectious personality and spirited conscience that the band maintains. The debut album features the singles “Money,” “Leave Me Hanging On,” and the title track “Daydream” which scored a #1 single at Australian country radio, followed by “I’m Comin’ For Ya (Love),” which hit #3. Nominated for New Talent Of The Year Award at the 2020 Country Music Awards Australian.
Having not hit the road for most of the 80s, The Steel Wheels Tour was an astounding return for the Rolling Stones, not least as it was the longest they had by that point undertaken. It was also to be their last with Bill Wyman. Steel Wheels Live was recorded towards the end of the band's 60-date run through the stadiums of North America, in the second half of 1989. Special guest appearances from Axl Rose, Izzy Stradlin, Eric Clapton and John Lee Hooker. Limited Edition Color Pressing.
In this era of reckoning for American policing, increases of racism fostered by the most incompetent president in modern times, and a global pandemic that has affected all areas of life as we once knew it, voices of dissent in entertainment have become more relevant than ever.
Enter Paris, arguably one of the most politically outspoken artists in hip-hop history, with his latest album, Safe Space Invader. Entirely self-produced and released on his own Guerrilla Funk Recordings imprint, Safe Space Invader is a brutal commentary on Black life in 2020 America, touching on the topics of police brutality, racism, gentrification, economic inequality and cancel culture, among others.
Safe Space Invader, will be available globally September 25, 2020.
Diana Krall's new self-produced album, This Dream Of You, was mixed by Al Schmitt, who worked closely with her to achieve the notable intimacy and immediacy. Performances from 2016-2017 sessions, on which she collaborated with late friend/longtime creative partner Tommy LiPuma. A record for right now but also feels like a movie you might share with someone you know will stay with it until the final reel. As she says, "If But Beautiful is the overture, then `Singing In The Rain' is the end title.
One of the first bands to overtly combine death metal with atmospheric keyboards, Nocturnus' debut album introduced more technical and progessive elements into the traditional death metal formula without losing any of the brutality. The audio for this vinyl is taken from the original tapes in Full Dynamic Range, allowing the music's nuances to shine through and giving the album a more immersive and dynamic sound than ever before.
Singer-songwriters have been tackling existential questions about life and death since time immemorial' or at least the 1960s. But when it came to Blitzen Trapper's newest album, Holy Smokes Future Jokes, front man Eric Earley looked beyond mere existence'or even the end of it'to contend with grander cosmic explorations: namely, the intermediate period between a person's separate lives on earth, 'and what it means to escape the cycle of birth and rebirth,' he explains. Inspired by George Saunders' 2017 experimental tome, Lincoln in the Bardo and the Tibetan Book of the Dead, Earley's lyrics take the listener on a wild and dramatic journey through rivers of waist-high water in the aftermath of a tragic car wreck and the hazy morning before a murderous moment, and from getting blitzed to the point of extinction inside a masonic temple to a stop for chips and dip before the apocalypse.
Surfer Blood's Carefree Theatre, out May 1, 2020 on Kanine Records, is their fifth studio album. The Carefree Theater in West Palm Beach, FL was the only real venue in town for most of John Paul Pitts childhood. It was where he would go for anything from shows to theatrical productions. It was just the kind of exposure that showed him there was a whole world outside of Florida, the kind of experience that would inform a twenty-one year old student to drop out of school and start a band. He did just that. Surfer Blood's rise was remarkable - and just recently recounted in detail with the 10 year anniversary of their debut and breakout album Astro Coast. A decade ago. That's a long time. Where a lot can happen. On May 1, 2020, Surfer Blood will release Carefree Theatre an album that bring them full circle. Pitts returned to Florida, returned to Kanine and created an album worth of short pop songs.
At long last, Dashboard Confessional's RIAA Platinum-certified MTV Unplugged 2.0 arrives on vinyl for the first time, September 25, releasing as part of The Early Days, a vinyl reissue series spotlighting the albums that defined the band's formative years, and cemented singer/songwriter Chris Carrabba as one of the most vital voices that would Recorded in 2002 on the era-defining show - MTV Unplugged, the performance holds a significant place in Dashboard Confessional lore. The set was released as the iconic emo band's first live album on the heels of studio releases The Swiss Army Romance, The Places You Have Come To Fear The Most, and the So Impossible EP. The performance showcases re-imagined versions of seminal tracks such as "Hands Down" and "So Impossible" which receive a full-band treatment for the first time.
Double vinyl LP pressing. This is Thurston Moore's seventh solo album, and features musicians Deb Googe (My Bloody Valentine) on bass and backing vocals, Jon Leidecker aka "Wobbly" (of Negativland) on electronics, James Sedwards on guitar, and Sonic Youth's Steve Shelley, as well as Jem Doulton, alternating on drums. "Hashish", the ﬁrst single from the album, is described by Moore as "an ode to the narcotic of love in our shared responsibility to each other during isolation."
Omar Rodríguez-López THE CLOUDS HILL TAPES Part I, II & III These recordings of three sessions dating from the years 2018/ 2019 and taken at the Clouds Hill Studio are now being published digitally and as a 3-LP vinyl box set. Part I features eight pieces, and Parts II and III six pieces each, which have been entirely newly arranged, produced by Johann Scheerer, and performed by Omar Rodríguez-López and a range of guest musicians. Only very few songwriters and arrangers have succeeded in leaving their mark on several generations with their compositions and their performances. Omar Rodríguez-López is one of these exceptional artists. Just hearing his name brings a shine to the eyes of aficionados of hard or virtuoso or cosmic music. Listening to his music you can feel it: This is someone who completely abandons himself to his art - and someone with an incredible amount of knowledge about the depth of possibility guitar music can explore. During the 2000s Omar Rodríguez-López released an astonishing variety of solo works. On these recordings the artist used pieces that had accumulated over the years. However, what has so far been missing is a release that brings together the pieces from that era. This wait now has come to an end for here are THE CLOUDS HILL TAPES, Part I - III featuring 20 tracks that present his music in a new light. Omar Rodríguez-López has long considered the Hamburg Clouds Hill studio his creative second home. He has known the producer Johann Scheerer for 15 years and they are close friends as well as creative partners. "Johann is great at what he does. What makes him truly special is his instinct. This helps him find most interesting sounds, make the right decision", is how Omar Rodríguez-López describes it. Whenever the two meet, a shared creative process ensues immediately. This is just what happened at the end of 2018: Really, Omar Rodríguez-López had come to Hamburg as a visitor at the Clouds Hill Festival, but Johann Scheerer invited him to use free studio capacity for a session in which to re-record outstanding pieces from the previous solo albums. "We got the band together, rehearsed for two days - and then we ran the tapes", Omar Rodríguez -López recalls. These original tapes can incidentally be seen on the covers of the three albums resulting from the sessions. THE CLOUDS HILL TAPES will be one of the reference works in the musical cosmos of this unique artist. The Clouds Hill Tapes Pts. I, II & III
Two CDs. 2020 release. For nearly 25 years, Reckless Kelly has graced the musical landscape with a high-powered form of Americana, equally rooted in raw passion, refined musicianship, and gritty authenticity. With the dual release of two new albums - American Jackpot and American Girls - the Idaho-bred band presents a beautifully detailed portrait of their beloved country, turning their nuanced songwriting to it's many glories and tragedies. While one batch of songs centers on slice-of-life storytelling and the other explores the complexities of human connection, the collective body of work unfolds with a profound and often eye-opening attention to the subtleties of American Life.
Tickets To My Downfall is Machine Gun Kelly’s 5th studio album and first full project that is unabashedly rooted in pop-punk, following the platinum success of “I Think I’m Ok”. Produced by Travis Barker and containing previously released hits “bloody valentine” and “my ex’s best friend (with blackbear)”, the album set for release on September 25th via Bad Boy/Interscope Records.
In the five years sinceWill Butlerreleased his debut album,Policy, he’s toured the world both solo and as a member of Arcade Fire, released theFriday Nightlive album, recorded and released Arcade Fire’s international #1 albumEverything Now, earned his master’s degree in public policy from Harvard, hosted a series of touring town halls on local issues (police contracts, prison reform, municipal paid sick leave, voting rights), and spent time raising his three children.
He also found the time and inspiration to write and record a new album,Generations.
“My first record,Policy, was a book of short stories,” Butler says. “Generationsis more of a novel—despairing, funny, a little bit epic… A big chunk of this record is asking: What’s my place in American history? What’s my place in America’s present? Both in general—as a participant, as we all are, in the shit that’s going down—but, also extremely particularly: me asWillButler, rich person, white person, Mormon, Yankee, parent, musician of some sort, I guess. What do I do? What can I do? The record asks that question over and over, even if it’s not much for answers.”
While the songs onGenerationscontain their fair share of dread and regret, there is ultimately a lightness that shines through Butler’s music. That brightness is at its most intense when he and his solo band—Miles Francis, Sara Dobbs, and Julie and Jenny Shore—performon stage. Their electricity is palpable throughoutGenerations, with the bulk of the new songs having been worked out live. Wild synth production—gnarly bass synths with live drums—andanthemicbacking vocals as on first single “Surrender” are punctuated by intimate, direct moments: Butler’s voice cracking on “Fine” as he conjures his ancestors, and “Promised,” a meditation on friendship, how lives are built together, and how and why they drift apart.
Generationswas recorded and produced by Butler in the basement of his home in Brooklyn. Tracking finished in March 2020, as New York closed down for the pandemic. Half the record was mixed in Montreal by longtime Arcade Fire engineer Mark Lawson, the other half by Brooklyn-based producerShiftee(who is, incidentally, bandmate Julie Shore’s husband and Will’s brother-in-law).
Generationsopens a dialogue with the world. It posits answers—and deals with those answers being refuted. Ultimately, it navigates the conversation as a way to find the truth… or at least a way forward.
2020 release. Tricky might be over three decades deep into his music career but he's currently on a creative roll. In the last year he's put out an acclaimed autobiography, Hell Is Round The Corner, dropped the enchanting 20,20 EP and is now releasing Fall To Pieces, his 14th studio album.
TOMORROW X TOGETHER (SOOBIN, YEONJUN, BEOMGYU, TAEHYUN, HUENINGKAI) will release DRAMA on CD in the U.S. on September 25th. Features three tracks: "Drama," (Japanese Ver.) & "Can't You See Me?" (Japanese Ver.) from recent album, The Dream Chapter: ETERNITY, plus new song, Everlasting Shine", will be the opening theme on upcoming animation series, Black Clover. Limited Edition Version A includes CD + DVD featuring a music video and `making of' the video.
Bright Light Bright Light is singer, songwriter, producer and DJ born in Wales, living in NYC and obsessed with pop culture, particularly from the 80s and 90s. Over the course of his 3 commercially released albums he's toured with Cher, Ellie Goulding and John Grant, and toured AND recorded with Sir Elton John, Scissor Sisters and Erasure. He's an avid record collector, DJing pop obscurities he finds on his vinyl treasure hunts at his weekly DJ sets (online on Twitch.tv/brightlightx2 at the moment) that have been praised by Time Out NY. Equally inspired by 80s/90s movies and artists like Kate Bush, Björk, Ace Of Base, Max Richter and Pointer Sisters, he's a music geek at heart, and a renowned artist on stage, currently the first and only unsigned (he runs his own label) artist to perform on Graham Norton's BBC One TV Show.
Keith Urban will release his brand new studio album on September 18th worldwide. The album will include his current hit single “God Whispered Your Name” as well as the #2 smash hit-“We Were”. Keith won the CMA Entertainer Of The Year in 2018 and he is currently the 2019 ACM Entertainer Of The Year. Keith will be hosting the ACM Awards on Wednesday-September 16th while will air on ABC-TV. “In October 2019 this album title came to me. I liked it because I felt like life was flying by so fast. But music (for me) has always been the place where it slows down and doesn’t even exist. I would never have imagined that, in 2020, this album title would take on a whole new meaning.” - Keith
CD Version comes with a bonus track - Jamie lee Curtis reading her children's story 'Today I Feel Silly'. A follow up to 2009's GRAMMY Winning Family Time - Ziggy has bottled the energy of his children and put it into music form! This is a very special piece and have a number of friends guesting on this album, including: Stephen Marley, Sheryl Crow, Ben Harper, Angelique Kidjo, Alanis Morissette, Tom Morello, Lisa Loeb, Busta Rhymes and Jamie Lee Curtis (reading her new book Today I Feel Silly). A portion of proceeds will benefit Ziggy's 501(c)3 URGE - which supports the education, social development and overall well being of the Chepstow Primary School and the One Love Youth Camp, both in Jamaica.
Charli XCX’s ‘how i’m feeling now’ is a completely unique project. Written, recorded and released in quarantine due to the COVID-19 pandemic, the album invites collaboration in a new way, as fans were welcomed to give feedback on every aspect of the record; from contributing to videos, to songwriting choices, to single selection and more.
Vinyl LP pressing. 2020 release. Between You And Me is the fourth album by the indie trio San Cisco, from Fremantle in Western Australia, town of sun-baked sandstone and sea breezes. It's an album two years and at least one sadly remembered love affair in the making. Between You and Me finds the childhood friends' open-hearted/ good times chemistry distilled to it's essence. Nearly 10 years since those first EPs, ARIA nominations and early US and UK inroads, San Cisco have made their most painstaking album sound effortless.
Acclaimed singer/songwriter Joan Osborne is back with Trouble & Strife (Womanly Hips Records), her first album of original material in six years. Osborne self-produced the new collection and penned all ten songs, with two co-writes. Trouble & Strife finds the gifted vocalist offering a strong yet uplifting response to some of the socio-political issues plaguing our nation over the last several years. Osborne beautifully balances the weight of her messages with solace and optimism.
The album opens with the inspiring “Take It Anyway That I Can Get”, a soulful calling to brazenly live life to the fullest. “Hand’s Off” is a visceral reaction to the unchecked corruption that is happening before our eyes, while on “That Was A Lie” Osborne takes on the acceptance of misinformation and how it has been weaponized and normalized. Driven by an infectious 1970’s synth riff, “Never Get Tired (Of Loving You)” features a heartfelt message of reassurance for her teenaged daughter during unstable times. Osborne offers a comforting song of hope on the beautiful lullaby, ”Whole Wide World” as she sings, “We could see the whole wide world from here, Lookin’ past the sorrow and the tears, Let me take you to that better place, Let me put that smile back on your face.”
On one of the album’s most important songs, “What’s That You Say” Osborne focuses on immigration and the plight of Ana Marie Rea. Rea spoke in-depth with Osborne about and the difficulties she and her family faced when coming to America from Mexico seeking asylum, and the challenges since. Rea’s words can be heard throughout the powerful song, spoken in her native tongue.
Throughout her 25-year, multi-Grammy nominated career, Joan Osborne has never been an artist confined to one space. She has utilized her incredible voice through her own songs while also becoming one of her generation’s finest interpreters. Osborne has shared the stage with artists ranging from Stevie Wonder and Mavis Staples to Bob Dylan and Lucinda Williams and she continues to seamlessly blend into any genre. On Trouble & Strife, her tenth studio album, the need for her voice and words has never been stronger.
Maroon Vinyl. On Giver Taker, the gorgeous debut album by Anjimile, death and life are always entwined, wrapping around each other in a dance of reverence, reciprocity, and, ultimately, rebirth. Written by Anjimile Chithambo (he/him, they/them), in collaboration with bandmate Justine Bowe of Photocomfort and New-York based artist/producer Gabe Goodman, the album grapples with sobriety; reconciling trans identity, spirituality, and religious upbringing; and forging gracious new futures that honor complex histories. Giver Taker's evocative pastoral ballads, warm pop songs, and epic choirs owe their heritage to influences ranging from Sufjan Stevens, Madonna, Ladysmith Black Mambazo, and The Lion King, all reshaped in Anjimile's vision to invite listeners into the album's vulnerable, generous worlds.
If you’ve struggled with the many tentacles of depression and its ability to pull you under and away from family and friends—from your entire world— you’ll recognize that sentiment. It’s the opening line of the lead single, “First Aid” from Gus Dapperton’s upcoming album, “Orca.” In this album, Gus dives into new territory, showcasing his vulnerability in powerful lyrics and personal stories.
“In the past, I’ve written my songs from a place of love and heartbreak. This album is about internal pain and suffering,” he says. Turning the personal into the universal is the sort of magic music has long performed. On “Post Humorous,” Gus recalls childhood moments shared with his sister, singing, “I can’t help thinking about the way we joked in those funeral homes” over crystalline guitar. As the song wrestles with how daunting death is, how strong the temptation is to laugh nervously at it rather than try to confront it with vulnerability, this line from Gus’s childhood becomes something bigger than a memory. It becomes something every listener can share in.
Gus’s creative decisions in pursuit of a raw sound to match these raw emotions didn’t come easily. “I’m a huge advocate for putting myself in vulnerable positions in my music,” he says but admits that confronting these feelings “was a chance to be open that I was afraid of.” But he pushed himself and, with the help of his friends and family, came out on the other side stronger. “It was cathartic to put these emotions into music,” he says. When this album is released in Fall 2020, he won’t be the only one feeling that way.
"Live at the Roundhouse” is unlike any other concert film connected with Pink Floyd. It’s the nearest thing you can get to a time machine, transporting you back to the very earliest days of the band. Nick Mason, the only band member to have played on all of Pink Floyd’s studio albums, returns to the group's earliest records, joined in the line-up by Gary Kemp, Guy Pratt, Lee Harris and Dom Beken.
Nick Mason’s Saucerful of Secrets took the drummer back to clubs for the first time in 1967, then to theatres, across the UK, North America and Europe, playing only music his old band had recorded before The Dark Side of the Moon.
Captured from the band’s celebrated shows at London’s Roundhouse, where Pink Floyd played some of their most revered early shows in the 1960s, this release features a uniquely thrilling setlist including songs hailing from Syd Barrett’s time with the band. Only four songs from this eclectic roster have ever previously appeared on official live releases by Pink Floyd or its members. Everything else is being experienced for the first time since their original live performances.
Witness the ever-changing, ever-mutating threat that is reality. Perception is under duress; sensibility is bending everyday under the barrage of nonsense. One must make note of whom one is and what one has become: look into the mirror of the planet-killers-psychic cannibals infiltrate and contaminate once familiar and seemingly secure territories... formidable foes indeed! What powers these beasts? What fuels discord and hatred? The behemoth of a "civil" society? What are the weapons at one's disposal? Generosity is the aegis against greed, empathy is the armor to deflect apathy, love is the club to abate hate... The fog is lifting and humans are opening their eyes. And so Castle Face offers this field recording, the Osees Protean Threat, from the pits as a quick booster between protein pills and recycled sweat beverage anthems to assist the listener to not worship at the altar of violence and greed, to not offer oneself up for free, to stand up and be vigilant! Truth will not be found in the speeches and photo ops of the overlords- stand strong and together under the gaze of the oppressors. Stand vigilant, united with those who don't have the same privileges. Demand respect and a peaceful life for all. This recording is at the apogee of scuzz-punk anthem amulets for the ears and heart, a battery for one's core. Be strong. Be human. Be love.
Alt-rock legends Semisonic’s new EP, You’re Not Alone, is Semisonic’s first release in nearly two decades. When creating this new music, patience was a virtue for Semisonic frontman and Grammy-winning songwriter and producer Dan Wilson. Throughout the years, Wilson would try to write new Semisonic songs that stayed true to their classic sound. Just when he thought he might not remember how to be “that guy” anymore, Wilson was re-inspired by trying to write songs appropriate for Liam Gallagher ( Sparking Wilson to get back in touch with his mid-90’s self, the songs came flowing out). Sounding more vital, more dynamic, and more like themselves than ever before, Semisonic’s impressive return, produced by Wilson, includes gems that mix hope and nostalgia with human connection and shared mortality. With long time bandmates John Munson (bass) and Jacob Slichter (drums), You’re Not Alone is above all a testament to the trio’s enduring chemistry which has only grown more potent and self-assured with time.
Cults were deep into the process of recording their fourth full-length LP when singer Madeline Follin let a secret slip. At the time, it seemed inconsequential, just a passing comment amongst friends, but in the end, it would prove to be a monumental revelation, one that would change the acclaimed New York duo forever. "In the past, I'd never brought my own music to the table because I was just too shy," says Follin, "but at some point during the sessions, I mentioned that I'd been writing some songs on the side, and our producer, Shane Stoneback, asked me to share them." "When Shane and I heard what Madeline had written, we couldn't believe it," says multi-instrumentalist/singer Brian Oblivion. "The music just floored us." What followed was a radical reimagining, both of the band's sound and it's dynamic, and the result is Cults' utterly mesmerizing new album, 'Host.' Written more collaboratively than ever before and recorded primarily with live instruments for the first time, the collection marks the start of a bold new chapter for the band, one fueled by an ever-deepening trust and a boundless appetite for growth and experimentation. The songs here are deceptively charming, with lush, airy arrangements that belie their dark, weighty lyrics, and the production is rich and multifaceted to match, blending retro and futuristic palettes into a spellbinding swirl of high-def indie rock and lo-fi bedroom pop. As it's title suggests, 'Host' is an exploration of the sinister dynamics at play in a parasitic relationship, but rather than dwell in the discomfort, the record charts a cathartic journey towards freedom and self-reliance, reveling in the power that comes from standing your ground and declaring independence in the face of exploitation and manipulation. "Writing these songs helped me learn to be okay with putting myself out there, with having the confidence to express what I want and what I won't accept when it comes to personal relationships," says Follin. "In a funny sort of way, the music helped me find my voice in the band, too."
BAFTA award-winning Matt Berry has stared in number of high-profile televison series including: Toast Of London, The IT Crowd, and most recently, What We Do In The Shadows. He has released 6 solo albums and collaborate with the likes of Bond composer David Arnold, Jean-Michel Jarre and Josh Homme. His last album, TV Themes, was a UK Top 40 hit. Phantom Birds was ispired by a fascination with Bob Dylan's album, John Wesley Harding, and the way it was recorded with the minimum of musicians to draw attention to the songs.
Ace Frehley, a 2014 Rock and Roll Hall of Fame inductee, continues his reflections on a lifetime in music with “Origins, Vol. 2.” No stranger to cover versions throughout his musical history — having recorded, rebranded and repossessed such notable nuggets as “New York Groove,” “Do Ya” and “I Wanna Go Back” over the course of his eight previous studio efforts — this new collection presents a thoughtful and exciting selection of songs that inspired and helped shape the legendary guitarist. Foremost of importance to the original Spaceman is delivering an album his fans will enjoy, but one where every song also has a place in his life’s jukebox.
As the second volume focusing on his musical origins, Ace has also grown since “Origins, Vol. 1” was released in April 2016. That album hit #23 on the Billboard Top200 charts becoming his 4th top-40 and second highest charting solo album — and there’s no questioning Ace’s productivity with this album being his fifth recorded work in a decade! Ace chuckles, “Since I had one covers album under my belt, the process of doing ‘Origins, Vol. 2’ was easier because I had put together a formula, picking guest stars and so-on.” The challenge for him was to put a suitable personal stamp on the material, and “Origins, Vol.
Following nearly 4 BILLION Streams Globally, Ava Max announces her much anticipated debut album Heaven & Hell, arriving September 18. The collection will include Ava’s previous worldwide hit singles “Sweet But Psycho”, “Salt” and her latest smash “Kings & Queens” alongside 12 brand new tracks.
Originally released in March 1975, Young Americans was David Bowie’s ninth studio album. To celebrate its 45th anniversary, Parlophone is proud to announce a special limited edition "brick and mortar" exclusive gold vinyl edition of the album. Young Americans was a huge departure for Bowie, creating a sound duringsessions in Philadelphia and New Yorkthat hedescribedas“Plastic Soul.”The album's two hit singles, the title track and the John Lennon co-write“Fame,”are viewed as amongst Bowie's very best with the latter giving him his first US #1.
Lead single “Young Neanderthal” heralds Jealous of the Birds’ eagerly awaited new album, PENINSULA, due via Canvasback/Atlantic on Friday, September 18. Along with David Wrench (The XX , David Byrne) the album was produced by Marta Salogni (Björk, Anna Meredith, Georgia Ruth).
Vinyl LP pressing. The All-American Rejects is the self-titled debut studio album by American rock band The All-American Rejects, originally released October 15, 2002 by Doghouse Records. Now back in print on original black vinyl.
TOUCHÉ AMORÉ has been burrowing through angst, alienation, cancer, and heartbreak throughout four adored studio albums. After over a decade of working through darkness, the band’s gorgeously gruff fifth album, Lament, finds the light at the end of the tunnel. Through 11 songs, TOUCHÉ AMORÉ looks back at its past and uses hard-won optimism to point its fans toward light, and love.
The definitive new Best Of John Lennon - 19 tracks on 2 LPs completely remixed from the original master tapes giving these classic songs a new life for generations to come and sounding better than ever before. Double LP on 180-gram vinyl. Contains 8 page booklet, fold-out double sided poster and GIMME SOME TRUTH. bumper sticker.
2 LP GATEFOLD.
8 PAGE BOOKLET, 1 FOLD OUT POSTER, 1 BUMPER STICKER.
Juice Wrld -"Legends Never Die - Rapper Juice Wrld's first posthumous album, Legends Never Die, now available on vinyl. The 22-track project set several records when it debuted at No. 1 on the Billboard 200 upon release. Features hit singles "Righteous", "Come & Go (With Marshmello)" and "Wishing Well". Double LP. EXPLICIT
Brothers Osborne are set to release their third studio album, Skeletons, on October 9th. They are 2x CMA Award winners for Vocal Duo Of The Year and winners for the 2018 ACM New Artist of the Year. With 12 new tracks, including current hit- "All Night". Brothers Osborne's two previous albums Pawn Shop and Port Saint Joe produced seven singles that charted on the Hot Country Songs chart and included #1 Platinum single, "Stay A Little Longer".
Released in October 2000, Linkin Park’s groundbreaking debut album Hybrid Theory is a melting pot of heavy alternative rock, hip-hop and electronic flourishes that inspired a new genre of music and a generation of dedicated fans, who continue to be loyal followers of the band. Additionally, the band’s sound influenced many young bands who related to the intense and emotional musical style. Hybrid Theory was the best-selling album of 2001 in the US and has since exceeded 11 million album sales in the US, qualifying for the rare Billboard “Diamond” award.
Hybrid Theory’s success was supported by intensive touring, and three successful singles: “One Step Closer,” “Crawling,” and “In The End.” The band won their first Grammy Award for “Crawling” as Best Rock Performance.
To celebrate 20 years since the original release, Hybrid Theory: 20th Anniversary Edition will be released on October 9th, 2020. The flagship format is a super-deluxe edition box set that includes unreleased and hard-to-find material on CD, vinyl and DVD. The box set also includes a lavishly illustrated 80-page book with contributions from the band and many previously unseen photographs, plus a replica tour laminate,an oversize poster of Chester Bennington, and 3 lithographs of new artwork supplied by Mike Shinoda, Joe Hahn and Frank Maddocks (the art director on the original release, and this anniversary edition).
At various points along the trajectory between then and now, Travis have sold millions of albums (just under three million of The Man Who in the UK alone); they’ve been the subject of an award-winning feature length documentary (Almost Fashionable) and Fran has elicited acclaim from Paul McCartney, Elton John and Graham Nash – all songwriters whose ability to divine a timeless melody out of thin air has sustained them through the decades. ’10 Songs’ is an album that holds you in its own emotional microclimate at the outset and keeps you there. It’s also a grown-up record. ’10 Songs’ is a record about the way life comes at love and what love does to weather those challenges. “This is no rehearsal/This is the take,” sings Fran at the beginning of Waving At The Window, over an insistent piano hook, “Promises you once kept/Are going to break Every track on this album carries an even load. No passengers here. Nowhere to hide. “I write songs in an antiquated way,” explains their creator, “Sitting at the bottom of the bed, ‘pouring my simple sorrow to the sound hole and my knee’, as Joni Mitchell put it.” As a songwriter based in L.A., Fran Healy doesn’t need anyone to tell him this is no longer how it’s done. It’s far from uncommon for the credits on successful modern pop songs to feature upwards of ten writers. Hits by committee. “It’s fine,” notes Fran, “Personally though, I’ll take ten songs written by one person over one song written by ten people. And if I feel that way, then surely someone else must do too.”
The Seeds of love is the third studio album by Tears for Fears.
The album was released in September 1989, entering the UK Album Chart at no.1 and would be certified Platinum by the BPI within three weeks.
In the US, the album peaked at no.8, and was also certified Platinum.
The album also reached the top ten in various other countries around the world.
The album contained the Singles: Sowing the Seeds, Woman in Chains, Advice for the Young at Heart and Badman’s song, upon release it was seen (and still is) as one of the greatest albums of the 80’s.
This Deluxe edition contains not only the original album, but a new 5.1 mix by Steven Wilson which was done in conjunction with Roland Orzabal, as well as all the relevant B-Sides, alternate mixes and around 60 minutes of previously unheard demos and live rehearsals.
The set is housed in a shoe box style box (similar to the other 2 releases) with an extensive booklet, with new interviews by Super Deluxe editor Paul Sinclair with the band and other players on the album. It also contains the tour programme of the era as well.
Patrick McDermott began his North Americans project with two albums: 2013’s No_No, and 2015’s Legends. Both records were dense affairs, with blocks of sound shifting and moving like melting glaciers to create a gorgeous, impenetrable, collection of digital drones. Though they sounded nothing like what would come a bit later, both records showcased McDermott’s understanding of mood and composition. On 2018’s Going Steady, McDermott blended his love of American Primitive guitar playing with playful pieces that never overstayed their welcome. He also began collaborating with a wide range of artists: from Julianna Barwick to guitar prodigy Hayden Pedigo, as well as Cloud Nothings’ Dylan Baldi, and more.
Now, two years later, McDermott is releasing Roped In, a gorgeous, intimate, and often spare album that pulls back from the collaborative nature established on Going Steady for a collection of fragile drone pieces anchored by McDermott’s intricate but direct guitar playing and haunting pedal steel work from Portland, Oregon’s Barry Walker.
Where Going Steady was brimming with ideas and micromovements, Roped In is relatively sparse, built on patience and the kind of once-in-a-lifetime collaborative energy between McDermott and Walker, and accented by occasional collaborations from harpist Mary Lattimore and guitarist William Tyler. “I wanted to focus on the simplicity of the music,” McDermott says. “I didn’t want to be beholden to this massive goal of [making music] to see how progressive and experimental it could be. I was attempting to cherish the pureness of this type of music.”
2020 collection. A Decade Of Destruction, Vol. 2 builds upon the success and popularity of the band's 2017 compilation by culling together seven active rock radio hits (including three #1 singles), popular streaming favorites and five previously unreleased tracks.
Double vinyl LP pressing. 2020 release. New York duo Lewis Del Mar returns with their sophomore album August. The first new music from Lewis Del Mar since their 2016 self-titled debut, "This album is, nearly word for word, our account of gluing the vase back together, cracks visible," says Lewis Del Mar.
Beggars Banquet is excited to announce a limited edition 30-year Anniversary edition of Buffalo Tom's epic second album Birdbrain. Available on mint green vinyl, the album has been out of print for years. Since Birdbrain's release 30 years ago, many songs from it album have become live favorites including the epic title track 'Birdbrain', and 'Enemy'. Trouser Press wrote that '[Birdbrain] boasts most of Buffalo Tom's best songs.'
Black Pumas have unveiled a deluxe edition of their Grammy-nominated self-titled debut album via ATO Records. Features original album plus 11 bonus tracks, three new original songs and four cover tracks, plus unreleased live material. Double LP pressed on one gold vinyl and one red/black splattered vinyl. Packaging has new artwork, contains unpublished studio & live photographs. Includes a bonus 7” Single LP.
Vinyl LP pressing. 2020 release. "Change is inevitable if you're lucky," says guitarist/vocalist Alex Edkins while talking about Atlas Vending, the fourth full-length album by Toronto's METZ. "Our goal is to remain in flux, to grow in a natural and gradual way. We've always been wary to not overthink or intellectualize the music we love but also not satisfied until we've accomplished something that pushes us forward." The music made by Edkins and his compatriots Hayden Menzies (drums) and Chris Slorach (bass) has always been a little difficult to pin down. Their earliest recordings contained nods to the teeming energy of early '90s DIY hardcore, the aggravated angularities of This Heat, and the noisy riffing of AmRep's quintessential guitar manglers, but there was never a moment where METZ sounded like they were paying tribute to the heroes of their youth.
Pleased To Meet Me is the critically acclaimed fifth studio album by the American rock band The Replacements. Released in 1987 by Sire Records, Pleased To Meet Me is the only album recorded by the band as a trio, after original guitarist Bob Stinson acrimoniously left the band. Following last year’s widely acclaimed Dead Man’s Pop release, Pleased To Meet Me will be receiving a similar ‘deep dive’ treatment with a 3-CD/1-LP deluxe boxed set, which will tell the story of the album in ways not previously possible with more than 50% of the content previously unreleased.
Vinyl LP pressing. Includes digital download. Mrs. Piss is a new collaboration between Chelsea Wolfe and Jess Gowrie. Drawing on their collective rock, metal, and industrial influences, the project began while the two were touring around together during Wolfe's Hiss Spun album in 2017. The result is their debut album Self-Surgery, which was recorded at The Dock Studio in Sacramento, CA and in Wolfe's home studio, The Canyon. These songs feel more urgent and visceral than anything either of them has created before: heaviness spurred on by punk spirit.
'A quintessential Future Islands blend of thumping drums, thick synths and a gooey bass line that anchors a swooning guitar. Frontman Samuel Herring delivers another charac- teristically mighty vocal performance' - Rolling Stone
Doves break their silence on new music rumors by announcing fifth album, The Universal Want. Buoyed by refreshed chemistry, restless studio creativity and public reaction to their return, Doves set free the album’s first single, Prisoners. Turning the page onto the next chapter of a three-decade career, The Universal Want follows Mercury-nominated albums, Lost Souls, and The Last Broadcast, as well as UK #1 album Some Cities and 2009 album, Kingdom Of Rust.
Features contributions from other Chicago artists such as Ohmme, Lala Lala, V.V. Lightbody and more. - First truly new material since the release of last year’s Lookout Low. - Part of a two EP series called Side A/Side B, which will be compiled together upon the release of EP2 later this year.
Bahamas -"Sad Hunk" - The fifth album from Bahamas (Afie Jurvanen), Sad Hunk, takes it's title from a nickname bestowed by his wife in reaction to how he was portrayed in the media. A collaboration from same team as 2018's Earthtones (Christine Bougie/Don Kerr/Mike O'Brien/Felicity Williams). With the graceful guitar work of Sam Weber, a musician he discovered on YouTube and with GRAMMY-nominated producer Robbie Lackritz, Sad Hunk is the next step in Afie' virtuosic signature style. Recycled Softpak w/ folded poster.
Debut solo album from Jake Luppen of Hippo Campus. Produced by Jake Luppen and BJ Burton, featuring Buddy Ross, Jim-E Stack and Ben Lester
LUPIN centers around a turbulent couple years in Jake’s life that can be viewed as somewhat of a Rumspringa- the end of a long term relationship that defined Jake’s adult life gave way to a rudderless period of inward discovery- mistakes and revelations- finding the beauty and peace through the pain of self-discovery and growing up.
Coming October 9th: Yo La Tengo returns with an EP comprised of the new original track 'Bleeding' and five covers written by Bob Dylan, Carole King, The Delmore Brothers and more. The new album includes an etched illustration by YLT's own James McNew on the disc's b-side along with original cover artwork by renowned Japanese artist Yoshitomo Nara. The Matador release follows the debut of Los Angeles County Museum of Art's Yoshitomo Nara solo exhibition and corresponding catalog, which includes the six new Yo La Tengo tracks along with a B-side of other musicians curated by the artist.
On vinyl for the first time since 2005, this fifth anniversary edition of Weyes Blood’s Cardamom Times features new cover art and demonstrates Mering’s reverence of devotional music and the avant-garde, channeling the domestic hymns of Sybille Baer through the lens of Baltimore’s experimental DIY scene; the minimal drones of Terry Riley accompanied by the voices of the Sacre Coeur; the confrontational words of Anaïs Nin with the warm embrace of St. Augustine. With printed insert & download card.
Ultravox's 'Vienna' album was originally released in July 1980, their first with Midge Ure on vocals/guitar. Produced by legendary German producer Conny Plank (Neu!, Kraftwerk),
The album contains 4 UK Top 40 singles; All Stood Still, Passing Strangers and Sleepwalk and the title track 'Vienna' which reached No.2 in the UK and Top 10 in seven countries around the world. This new vinyl edition has been mastered and cut at half-speed by Alchemy Mastering using the original 1980 production tapes. The second bonus vinyl includes single versions and b-sides from the 4 singles released from the album, including a previously commercially unreleased US Promo Edit of Vienna, which is exclusive to this edition.
Drive-By Truckers released The Unraveling on Jan 31st 2020 and set out for what was supposed to be a full year of touring. Needless to say it did not go as planned. "The New OK" is a phrase Patterson Hood found himself saying a lot these past few months. This new album, made up of songs left over from The Unraveling sessions and new ones written and recorded since, hopefully balances out the darkness of our current situation with a hope for better days and nights ahead.
Mac Miller's family announces a double-disc vinyl box set of his albums Swimming and Circles. Swimming In Circles collects Miller's two final studio albums, which were conceived by the late artist as companion albums, into one deluxe presentation. Now, fans will be able to listen to both releases on vinyl side by side for the first time, experiencing the full narrative arc expressed across the two albums. The new box set will be available on November 20, 2020 through Warner Records.
Circles was released in January 2020 and was the most pre-added album in Apple Music history upon its release. It also debuted at #3 on the Billboard 200 Chart, marking Miller's sixth consecutive Top 5 debut on the chart. The album was completed with the assistance of producer Jon Brion, with whom Miller worked on Swimming and had been working together on Circles at the time of his passing.
As member of the Australian pop-rock quartet 5 Seconds of Summer, Ashton Irwin has enjoyed a phenomenal career. His debut solo album draws from the broad collection of artists he loves; Foo Fighters, Nick Drake, Helmet, Silverchair, Stone Temple Pilots – with lyrics that touch on every aspect of his life. It’s profound songwriting about his childhood, alcoholism, depression, body dysmorphia, death, addiction, despair and hope. LP is coke bottle clear color in gatefold jacket.
Because The Internet is the sophomore album from Childish Gambino, the stage name of Grammy, Golden Globe, and Emmy Award-winning recording artist, actor, and producer Donald Glover. Released in 2013, the album lends perspective to the complications born from an Internet-obsessed society. In creating Because The Internet, Glover set out to not just release an album but to build a world, also releasing a companion screenplay and short film, "Clapping For The Wrong Reasons."
Because The Internet is presented on 2LP 12" 180g vinyl, comprises 19 songs including "3005" and "Sweatpants", and features appearances from Chance The Rapper, Jhene Aiko, and Azaelia Banks.
The Brummies, who have played together since high school, grew up outside of Birmingham. They count The Beatles, Elton John, ELO, & My Morning Jacket among influences. The band has toured with St. Paul & The Broken Bones, Kacey Musgraves, NEEDTOBREATHE and BANNERS. The trio went back in the studio co-producing new album, Automatic World, with Austin Jenkins (Leon Bridges) & Jarrad Kritzstein (Rustin Kelly). Available on Canary Yellow Vinyl.
THE KINKS LOLA VERSUS POWERMAN AND THE MONEYGOROUND, PART ONE NEW GATEFOLD 1LP ‘Lola Versus Powerman And The Moneygoround, Part One’ is the eighth studio album by The Kinks, one of the most influential rock acts of all time, and was recorded and released in 1970. A concept album, it is a satirical appraisal of the music industry, including song publishers, unions, the press, accountants, business managers, and life on the road. This classic album appeared during a transitional period for the Kinks, and was a critical and commercial success. This 50th anniversary LP release features the newly remastered original stereo album on black heavyweight vinyl in a carefully restored and replicated original gatefold sleeve. Includes a 12” booklet with comprehensive notes, new band quotes, rare photos and memorabilia. Features the hit singles ‘Lola’ & ‘Apeman’. Produced in association with The Kinks, with audio & visual content curated by Ray Davies.
“It’s a story of coming-of-age and self-acceptance and liberation, in terms of sex and gender and drugs and heartbreak and all the other twists and turns we go through in life.” Likening Weird! to a “Skins” episode in album form, he adds, “I hope it makes people feel like it’s okay to feel out of place or twisted or weird, because life is weird—but that’s what beautiful about it. So don’t ever try to live it as someone else. Live it as you.” – YUNGBLUD
You Me at Six return with their eagerly anticipated seventh studio album, 'SUCKAPUNCH', due for release January 15th 2021 via Underdog Records / AWAL.
After a tumultuous period of emotional blows, leaving the majority of the band getting to grips with new life scenarios, the new album is rooted in reflection and redemption, and sees You Me at Six harness those darker experiences as a catalyst for creativity, empowerment and positivity. Recorded over five weeks at Karma Sound studio in Bang Saray, and continuing their creative relationship with that album's producer, Dan Austin (Biffy Clyro, Massive Attack, Pixies), 'SUCKAPUNCH' is the sound of a band embracing change. You Me at Six have crafted their most experimental, personal and progressive record to date.
'Film Music 1976 - 2020' - This long-awaited album brings together 17 tracks from Eno's most recognisable film and television work spanning 5 decades. Eno's music has been used in hundreds of films and he has composed more than 20 soundtracks for some of the best known directors in the world including David Lynch, Danny Boyle, Peter Jackson, Michelangelo Antonioni, Derek Jarman and Michael Mann. Compositions such as "Ship in a Bottle" in "The Lovely Bones", "Prophecy Theme" from "Dune", "Deep Blue Day" in "Trainspotting", "Late Evening in Jersey" in "Heat", "Beach Sequence" in Antonioni's last film "Beyond The Clouds" and "An Ending (Ascent)" from Al Reinert's ground-breaking "For All Mankind" have contributed significantly to memorably iconic scenes. Eno has also scored extensively for television, including all 3 series of the gritty UK crime drama, "Top Boy" for which he received a Bafta, and Danny Boyle's "Mr Wroe's Virgins" which earned him and his brother Roger a Bafta nomination. This release features over an hour of classic Eno compositions and includes several previously unreleased tracks.
For the first time on vinyl: Spice Girls - Forever. Originally released in November 2000 the platinum selling album was their final studio album. To celebrate the 20 year anniversary, Forever will be released on 180g heavy weight vinyl. Featuring smash singles "Goodbye", "Holler", and "Let Love Lead the Way", Forever will feature a gatefold sleeve, four collectable art-prints and artwork specially recreated for this celebratory vinyl release.
POST HUMAN: SURVIVAL HORROR is the newest release from world dominating, multi-award nominated Bring Me The Horizon. Continuing to push their creative boundaries, even during the 2020 global pandemic and lockdowns, the band have created a body of work that is arguably one of their most exciting, diverse, intricate pieces of music to date.
The first two tracks released from the EP were ‘Parasite Eve’ and the colossus ‘Obey’ featuring fellow Brit YUNGBLUD. Other guest artists on this collection include BABYMETAL, Nova Twins and Amy Lee from Evanescence.
Groundbreaking musician/songwriter/producer Steven Wilson will release his new studio album THE FUTURE BITES on June 12, 2020. Co-produced by Wilson with David Kosten (Bat For Lashes, Everything Everything), THE FUTURE BITES sees Wilson exploring contemporary addiction and the lasting effect of technology on our daily lives. The album marks his most inventive and far-reaching musical construction to date, spanning soaring acoustics, lush electronica, relentless bass-driven grooves, murky funk, and so much more, all linked through powerfully focused songcraft.