CIMS In The Groove
Since their inception in 2008, Defeater have stood apart as storytellers in the world of hardcore. Hailing from Boston, Massachusetts, the band’s lineup consists of Derek Archambault (vocals), Adam Crowe (guitar), Jake Woodruff (guitar), Joe Longobardi (drums) and Mike Poulin (bass). They have toured with the likes of La Dispute, Comeback Kid, and August Burns Red. Defeater will be the band’s fifth studio album
Ida Mae's magic lies in the sensuous dovetailing of two voices and the intimacy of their songs. Their chemistry on stage isn t just a dramatic pose and is a truly captivating sight to behold. Hailing from Norwich and born out of Kill It Kid who established their credentials in the British Music indie Rock world, Chris and Stephanie present themselves as a sensual version of White Stripes meets Civil Wars meets XX. Singing together, the couple have an unusual which-is- which dynamic.
All Blues, the forthcoming covers album from the Peter Frampton Band, is set for release on June 7 via UMe. The album is a collection of Frampton’s favorite blues classics and was recorded with his longtime touring band, made up of Adam Lester (guitar/vocals), Rob Arthur (keyboards/guitar/vocals) and Dan Wojciechowski (drums). All Blues was recorded at Frampton’s home studio in Nashville, Studio Phenix, and was co-produced by Chuck Ainlay and Peter Frampton.
Also Available: Frampton Comes Alive
Kicks is an eclectic album of ten cover songs - from "Mack The Knife" written in 1928 for a German musical (known in the U.S. as The Threepenny Opera) that became a jazz standard, to "Bad Company" the eponymous theme song for the British rock band written in 1974. The arrangement and instrumentation, by producer Michael Napolitano (Ani DiFranco), provides a fresh and modern sonic infusion on every song. Rickie Lee Jones skyrocketed to fame in 1979 when as a barely known artist she appeared on Saturday Night Live. Performing her biggest hit Chuck E s In Love in her trademark red beret, Time Magazine instantly dubbed her the Duchess of Coolsville. Since then she has gone on to win two Grammy Awards, appeared on the cover of Rolling Stone twice, and included in VH1 s 100 Greatest Women of Rock & Roll.
Amyl and The Sniffers are a grimy pub rock band from Melbourne, Australia. The band take their cues from a diverse mix of hard rock, Aussie punk, and country. They set out to have as much fun as possible and scared up a whole lot of fans along the way. AATS were brought to ATO’s attention when they opened for King Gizzard. The Sniffers have since been selling out headlining dates in the US and have sold through three pressings of their "Some Mutts" single. Their full-length album releases 5/24.
Ian Noe's highly anticipated full-length debut album, Between The Country, is out on May31. Recorded at Nashville's RCA studio A with Grammy Award-Winning producer Dave Cobb, Between The Country includes 10 new songs written solely by Nole.
Diviner is the debut solo album from Hayden Thorpe. A deeply emotional album: lyrically generous in its candid tone and self-awareness, the melodies resonant with sense memory. The album feels like a startling departure from Thorpe’s previous work with Wild Beasts and also unlike anything else being made at the moment. Written in a deep period of flux; at points in California, Cornwall and at his home in London - the latter acting as a womb-like space where he worked out his new life, story and belief systems. “My adulthood was based on a certain belief system, a band, a family. When it shifted entirely, I had a ghost I had to find a new haunt for,” Thorpe notes. But his belief in songs as transformative entities kept him going. “I believe in the medicinal properties of songs. I believe in their healing properties,” he says. “Songs defy time, they don’t erode or denature, they come with you and reform anew in your mind as and when you need them.” “I broke up with myself. So this is a break-up album, but not about a relationship. It’s a break-up from a past self, it’s a breakup from the old idea of yourself and therefore every relationship, of all kinds, that you’ve ever had.” Throughout the record, Thorpe’s voice is a beacon - paired with weaving piano, ambient guitar drifts and propulsive bass lines - his sound is even more powerfully unfettered than before, as if he’d found a new inner voice, a new way to use his instrument.
The Boxmasters is a 60s-influenced rock and roll band and the melodic songs on Speck are reminiscent of that era. The album was produced by Geoff Emerick (4X Grammy Award winner; engineer on Beatles albums, Revolver, Sergeant Pepper s Lonely Hearts Club Band, Abbey Road; plus albums by Badfinger, The Zombies, America, and Paul McCartney). The band members are Speck is the 10th album for band members Teddy Andreadis (vocals, keys), J.D. Andrew (vocals, drums), and Bud Thornton (vocals, drums). The eleven songs on the album were written by the band. Sonically Speck touches on all of The Boxmaster s influences, including The Beatles, The Byrds and Big Star but there are new sonic touches as well; ukulele, cardboard boxes and the Beatle s famous tea towels on the drums trick pop up on songs throughout the album. Lyrically it deals with every thing from personal relationships to politics, and social issues . The theme being that we are all specks in this universe trying to navigate it , during trying times in the world we still have our own loves, desires , problems and dreams as individuals, says Bud. We're just little humans. No matter what our standing is in society . 1. I Wanna Go Where You Go 2. Anymore 3. Shut the Devil Up 4. Let the Bleeding Pray 5. Here She Comes 6. Day's Gone 7. Watchin' the Radio 8. Someday 9. Square 10. Speck 11. Somebody to Say
Inspired by the warm, inviting sounds of ‘70s singer-songwriters like Jackson Browne and Graham Nash, Ryan Pollie wanted to make the most personal music of his career. He had released two albums as Los Angeles Police Department, and now he was ready to shed the protective barrier of his old band name — to make music, simply, as himself. Bolder and crisper than the albums he’s made as Los Angeles Police Department, his self-titled record emerges from a deeply collaborative place. He invited many of his closest friends over to his home to record the album, and a feeling of warm camaraderie shines through the music. “When somebody plays on a song, their character is in it,” he says. “I like to think all my friends are on this record. Their personality is in it. That was really important to me. I’m able to do what I do, mentally and emotionally, because of the people around me.”
Parachute is the fifth studio album for the band; the album was produced by Jacquire King (Kings of Leon, Dawes, Tom Waits, Modest Mouth, Norah Jones, Josh Ritter, Punch Brothers). All songs were written by Will Anderson except "Ocean" and "Talk to Me" by Will Anderson and Jackson Morgan. Fans and critics alike are no stranger to Anderson's impeccable ability to connect as a songwriter, with Billboard hailing that he has a "knack for writing emotionally connecting, hook-laden songs that linger in the brain for days' as well as Idolator calling the band's past songs, "well-crafted and infectious."
You're The Man is the first-ever planned 'lost' Tamla/Motown album from Marvin Gaye. Includes three tracks newly mixed by SaLaAM ReMi. The album also includes a rare long version of Marvin Gaye's cancelled Christmas single, as well as an unreleased vault mix of its instrumental B-side, and new essay by Marvin's biographer, David Ritz. You're The Man was the album originally proposed to follow-up the monumental What's Going On. The release coincides with the 60th anniversary of the Motown label and also Marvin Gaye's 80th Birthday (April 2).
Mavis Staples returns with a brand new studio album produced and written by Ben Harper. Backed by Mavis’ critically acclaimed live band, We Get By features 10 songs of longing, strength, and spirituality, presented with simplicity, grit and sublime beauty. Highlights include the buoyant, “Anytime”, the cathartic, “Change”, and the title track, an uplifting duet with Ben Harper.
Over 50 years of rocking the blues, Savoy Brown, with leader and founder Kim Simmonds a the helm, return with City Night, their 40th album release. On the back of a number one Billboard blues hit in 2017, expectations are high for this new band offering. The album features Kim Simmonds on vocals and searing lead guitar and he is complemented with the most consistent lineup in the bands history, going strong for more than 10 years now. City Night is comprised of 12 high energy blues rock songs to surely please the worldwide fan base. "Walking On Hot Stones", "Payback Time" and "Don't Hang Me Out To Dry" will catch the attention of radio DJ's looking for the fresh new sound the Savoy Brown brings to roots music.
Africa Speaks is the new energy-infused, full-length album from Santana. It features the soulful vocals of Afro-Latin singer Buika and was produced by legendary producer Rick Rubin. Santana and his eight-piece band (featuring his wife, Cindy Blackman Santana, on drums), convened at Rubin’s Shangri La Studios in Malibu, and in a joyous and stimulating 10-day period they recorded an astonishing number of tracks, many of them in one take. Inspired by the melodies, sounds and rhythms of Africa, Santana has created a truly memorable and powerful experience that also promises to be one of his most groundbreaking albums yet.
The preeminent male group of this century, Jonas Brothers opened the floodgates for a new era of titans in pop music. They earned three consecutive number one albums and sold out shows throughout three continents. Selling over 17 million-plus albums with over 1 billion streams worldwide, they've achieved dozens of platinum and gold certifications. The tremendous success of the band provided a launch pad for their storied solo careers who have kept loyal fans yearning for a reunion, until now.
Guns N' Roses bassist and New York Times bestselling author Duff McKagan's new solo album, Tenderness, is a reflection on his experiences traveling the globe over two and a half years on GNR's Not In This Lifetime tour. Encountering heartbreak, anger, fear, confusion and divide on his travels during this tumultuous time in our world history, McKagan channeled a collective hurt into songs of monolithic power. The album was produced by recent Grammy winner Shooter Jennings and features Jennings' band along with appearances by The Waters and The Suicide Horn Section, amongst others.
Servants of the Sun bursts into the clear blue air with the funky upper atmosphere bubbling of vintage keyboards and driving rhythm. A gateway swings wide open to a universe that the Chris Robinson Brotherhood has been tirelessly constructing for eight years through extraordinary musicianship, endless touring and a roving, seemingly bottomless wizard’s chest of sonic delights. The band’s 8th studio effort since forming in 2011—spread out over six full length albums and two EPs—sets aside the studio explorations of their more recent work and turns inward to the heart of the Brotherhood’s universe. Of the origin concept for Servants, bandleader Chris Robinson explains: “I let my head go to a Saturday night at the Fillmore, and said, what’s the best set we could play?” And in following that guiding principle the CRB bottled their pure essence into 10 new songs, a distillation of their journey so far. In many ways they have come full circle in delivering their most direct, bare bones, rock n’ roll record since debut companion albums ‘Big Moon Ritual’ and ‘The Magic Door.’
“For most people who create art I would assume there is some kind of deep unanswerable hole in your soul as to why you're making it…” So says Stef Chura ahead of the release of Midnight, her gritty, vehement new album - recorded and produced by Will Toledo of Car Seat Headrest -and her first new collection of songs for the Saddle Creek label. Illuminating that search for answers with a fevered sense of exploration, Midnight is a bold leap forward from Messes, Stef’s contagious debut album, with every aspect of her new work finding bold ways to express itself as it rips through twelve restless and relentless new tracks. A couple of years on from the release of Messes, Stef is still based in Detroit, that most singular city which has seen it all, from the no-mans-land of its initial collapse through to the resurgent place it is now. Stef found inspiration from the people she surrounded with herself with, more so than the place itself. It’s no surprise that Midnight is testament to those kind of characteristics; a rugged and robust burst of defiance. “I’m usually dealing with the context of what I can’t say or haven’t said,” Stef says. Which is to say that if its predecessor was a raw, somewhat unadorned document of Stef’s work, then Midnight is the muscular, swaggering evolution. “This album has a depth to it and a particular sound because of Will,” Stef states regarding Toledo’s input, whose spiky nuances can be found across the length and breadth of Midnight, the record presenting an exhilarating rush of sound and colour as Stef’s spirited vocal finds and signature guitar sounds unravel alongside in a thrilling meeting of ideas and influences; dispelling demons, song by song. Where Stef’s voice was previously a somewhat ambiguous character, somewhat buried within her songs, here it is the striking opposite, an assured voice that drives the whole thing forwards. “I think a lot of Messes was lyrically unintelligible which was somewhat of a bummer to me. I had no self awareness that I was singing like that,” Stef says. “With this album I wanted it to be clearer and more listenable, in a number of ways,” Stef says. Proof of this outlook can be found on the edgy lead track ‘Method Man’, a boisterous three-minutes that melds jagged, skewed guitars with a distinctive voice that has a new-found sense of confidence, whether spitting spoken-word mantras during the exhilarating percussive coda or simply letting loose amid the squalling bluster of guitars. You can find it elsewhere too, in fact it runs right through the heart of Midnight’s twelve tracks. Take the sweeping brilliance of ‘Jumpin’ Jack’, a somewhat more refined three-minutes that bursts into a thrilling finale, or ‘Sincerely Yours’, a brooding four-minutes initially gives deserved space to Stef’s voice and words more than ever before, before bursting into life with with a pent-up energy that positively roars from within. “I used to only find peace in complete disorder, because order seemed completely not possible for me- hence my last album being called Messes,” Stef confesses. “Even though some of these songs came from a similar time period, I’ve grown and changed a lot over the last two years, and what I’ve processed over the last couple of years is the change that is in expressed in these songs.” Equal parts thrilling and angsty, Midnight is a testament to the collaborative process, a record that makes the very most of those who came together to make it, but more than that, it’s a firm statement of tenacity and perseverance, of not resting on your laurels but leaping forwards no matter the situation you find yourself in. From out of one day and into the next.
Yeasayer's latest LP is perhaps their greatest.Erotic Reruns captures what it's like to be alive in 2019 with wide-eyed clarity. The songs veer from the intensely personal and romantic to the fervently political-an eminently danceable record that challenges their audience and makes them think a bit more slowly to ponder issues so germane to our maddening, speed of light era of content consumption.