On January 25, 2019, Walter Trout will release his new album "Survivor Blues" on the Provogue label. Walter Trout is no ordinary artist. Survivor Blues is no ordinary covers album. From the day he conceived the project to the moment he counted off the first song in the studio, Walter Trout had a bolder plan for Survivor Blues. "I'm riding in my car sometimes," says the US blues titan. "I've got a blues station on – and here's another band doing Got My Mojo Workin'. And there's a little voice in me that says, 'Does the world need another version of that song?' So I came up with an idea. I didn't want to do Stormy Monday or Messin' With The Kid. I didn't want to do the blues greatest hits. I wanted to do old, obscure songs that have hardly been covered. And that's how Survivor Blues started..."
The rising Milwaukee-based troubadour's third studio album 'Primetime Illusion' is released January 25th. Produced by Wilco multi-instrumentalist Pat Sansome, the album features ten essential Trapper originals whittled into shape under Sansome's "inspiration and Jedi-like guidance", offering a refined and relaxed approach akin to the classic Laurel Canyon sound of the 70's: glittering piano, ringing guitars, and crisp vocal harmonies.
On her captivating solo debut, After The News, Addi McDaniel points her search inwards, channeling the pain of loss and regret into a transformative work of beauty and strength. Hailed as "a dynamo with a brass-plated voice" by the LA Times, McDaniel is both an extraordinary singer and a gifted interpreter of song, and After The News finds her breathing vivid life into a raft of original songs from collaborator Tom Siering, whose material she deftly pairs with covers of tracks by Andrew Bird and Bruce Cockburn. Backed by an all-star cast of musicians including drummer/producer Marco Giovino (Robert Plant, Norah Jones), McDaniel blurs the lines between roots, blues, soul, and jazz on the album, inhabiting each track with the range and empathy of an actor taking on a role. Smoky and sincere, gentle in it's insistence, her voice conveys a daring intimacy that feels tailor-made for Siering's candidly honest reflections on sorrow and regret, hope and forgiveness, pain and transcendence.
Live album from Grammy and Country Music Award-winning Southern rockers packs an adrenaline-fueled punch from the opening crunch of "Big Boss Man" to a thunderous take on the Beatles' "Don't Let Me Down." The fun continues on three bonus studio tracks featuring Chuck Berry pianist Johnnie Johnson that end the disc, as JJ and KHH bring out the best in blues chestnuts "Rock Me Baby" and "Hi-Heeled Sneakers," plus a combustible KHH original "Rock 'N' Roller."
On 8th February 2019, Eric Gales returns with his brand new album ‘The Bookends’ on Provogue/Mascot Label Group and it features collaborations with B. Slade and Provogue artists Doyle Bramhall II and Beth Hart. The challenge for making ‘The Bookends’ was for Gales to challenge himself. “As a guitar player it’s been established that I can play a little bit, just a little bit,” he smiles. But for this album he not only wanted to push himself as a musician, but also as a vocalist, to build up his vocal discography. Gales’ story is an incredible one, he was a child prodigy and released his debut album The Eric Gales Band in 1991 as a 16 year old on Elektra Records. It was the first of 10 albums on a major label through a blistering career. He has released 15 studio albums in total ahead of ‘The Bookends’ and a host of other collaborations. He has battled drink and drug issues and spent time in jail in 2009 for possession of drugs and a weapon. Gales proudly tells his story every night before every show, now over two years sober he is creating some of the most breath-taking music he has ever made. If his previous album ‘Middle of the Road’ was the rebirth of Eric Gales, then ‘The Bookends’ is him knocking away his boundaries and taking flight on a voyage of self-discovery asking himself what do you think you can do and pushing that into the stratosphere.
On What Will We Do, Lula Wiles channel infectious energy and bold insight into music that strikes with purpose. The band fosters contradiction, embracing the spirit of traditional American music, yet unflinchingly calling into question the virtues of the culture that produces it— country songs that shine a light on a country’s crimes; love songs about being alone; murder ballads that challenge the standards of morality. Lula Wiles exist in the tense space where tradition and revolution meet, from which their harmonies rise into the air to create new American music. 42 minutes, 40-page booklet with lyrics.
2CD, bonus EP with 4 traditional covers - 6 panel Digipak, 8pg booklet
Anchored by poignant songwriting and their intimate live shows, Mandolin Orange (Andrew Marlin and Emily Frantz) has quietly and confidently found their audience. On February 1, they will release a new album, Tides of a Teardrop, through Yep Roc Records. Thematically this album is a release for Andrew Marlin, the group's songwriter. He lost his mother at a younger age, and although that has impacted his writing in the past, this collection of songs is thematically about letting go and finding peace. Marlin and Frantz were joined by their touring band and for the first time, took more than a few quick days between tour, to record the album. That level of comfort shines through in the band's most accomplished set of songs to date.